Jan Dirksz Abụọ, 1635 - Ụkọchukwu. Ndị na-agba egwu na mbara ala - ọmarịcha nka

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Pastoral. Dancers in a landscape is an artpiece by Jan Dirksz Both in 1635. Nke kariri 380 afọ mbụ nwere nha - Ogologo: 106,5 cm, obosara: 147 cm. Oil painting was applied by the artist as the medium of the piece of art. The work of art belongs to the Petit Palais - Musée des Beaux-arts de la Ville de Paris's digital collection. With courtesy of - Petit Palais Paris (ọha na eze).: . Ihe ọzọ bụ, alignment bụ na odida obodo usoro nwere oke akụkụ nke 1.4: 1, nke pụtara na ogologo ya dị 40% ogologo karịa obosara.

What specifically does the curator team of the Petit Palais - Musée des Beaux-arts de la Ville de Paris write about this work of art created by Jan Dirksz Both? (© Copyright - by Petit Palais - Musée des Beaux-arts de la Ville de Paris - www.petitpalais.paris.fr)

Like many Dutch painters of the seventeenth century, Jan Both effected a trip to Rome to complete his training. He held landscapes, ancient ruins, and especially light. He met Claude jelly, says Lorrain, whose compositions marked his work, and he returned to Utrecht arms full of drawings. This mountainous landscape, titled "Pastoral" or sometimes "Dancers in a Landscape", depicts a very Italianate kind. A hot sun sets on fields. The peasants have stopped their work, near a city is seen, unless it be they ruines.La force Jan Both is to have been able to combine the "Italian style" on the landscape tradition Dutch. He also is leading figure of the second generation of Dutch Italianate painters. He worked some themes in series, providing a different angle of view and various skits and varied, giving a uniqueness to each table. The "Mountain Landscape" (Madrid, Prado Museum) and "Italian Landscape" (Dublin, National Gallery of Ireland) treat similarly the sky golden piercing in the middle of the vegetation, which opens with an atmospheric perspective on a mountainous landscape .

The table included in the Juan Galver gift gallery, painter of King Ferdinand VII of Spain. Then, in that of the Marquis of Salamanca in Madrid. The et26 25 January 1875, the collection was sold at Paris Drouot. La Pastorale (No. 117), then titled The Dance and attributed to Claude jelly, was bought by a 6 800frs Gonzalès.Au early twentieth century, it was in Paris, at Charles Vincent Ocampo. It was donated in 1931 to the City of Paris, subject to usufruct, usufruct and raised in 1942.

Landscape, Pastoral Scene Pastoral Scene, Idealized, Dancer, Tambourine, Human figure, figures Group (represented subject), Father - Attribution, Knight, Horse, Italy

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