okirikiri nke Le Nain, 1650 - Vintage Scene na ụmụaka ndị nkịtị na-agba egwu (otu eserese) - mbipụta nka mara mma.

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ihe omuma ihe omuma

N'afọ 1650, onye na-ese ihe okirikiri nke Le Nain painted the artpiece. The artwork had the size: Nhazi: 111 x 142 x 8 cm (43 11/16 x 55 7/8 x 3 1/8 na); Edebereghị: 92 x 121 cm (36 1/4 x 47 5/8 na) na e ji teknuzu nke mmanụ na kwaaji. Moveover, this artwork is in the the collection of The Cleveland Museum of Art in Cleveland, Ohio, United States nke America. Site n'ikike nke - The Cleveland Museum of Art (ikike ngalaba ọha). : Onyinye nke Oriakụ Salmon P. Halle na ebe nchekwa Salmon Portland Halle. Na mgbakwunye na nke ahụ, nhazi nke mmepụta dijitalụ bụ odida obodo ma nwee oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.

Kedu nke ga-abụ nhọrọ akụrụngwa kachasị amasị gị?

Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ ihe na nha nke nhọrọ gị. Nhọrọ ndị a dị maka n'otu n'otu:

  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a printed flat canvas paper with a slightly roughened texture on the surface. It is designed for framing the art copy with the help of a customized frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6 cm round about the print in order to facilitate the framing with a custom frame.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often described as a fine art print on plexiglass, transforms your favorite original artwork into wonderful décor. Your artwork will be manufactured thanks to state-of-the-art UV printing technology. This creates the image effect of rich, sharp colors. The great upside of a plexiglass fine art print is that contrasts and granular artwork details become more exposed because of the subtle tonal gradation in the picture.
  • Metal (aluminium debond mbipụta): Aluminium Dibond prints are prints on metal with an impressive depth effect, creating a fashionable impression by having a non-reflective surface. The Aluminium Dibond Print is the perfect start to fine art replicas manufactured on aluminum. The bright & white parts of the original artwork shimmer with a silky gloss, however without glow. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to display art prints, as it draws focus on the whole artwork.
  • Mbipụta kanvas: A printed canvas, which shall not be mistaken with an artwork painted on a canvas, is a digital replica applied onto canvas. A canvas produces a special look of three-dimensionality. A canvas print has the advantage of being relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without the help of additional wall-mounts. Because of thata canvas print is suitable for any kind of wall in your house.

Important note: We try everythig possible in order to depict the art products as exact as it is possible and to exhibit them visually in our shop. Please bear in mind that the colors of the printing material and the printing can diverge marginally from the image on the device's monitor. Depending on the settings of your screen and the quality of the surface, not all colors are printed one hundret percent realistically. In view of the fact that our art prints are printed and processed by hand, there might as well be slight discrepancies in the exact position and the size of the motif.

Nkọwa ngwaahịa

Nkewa ngwaahịa: mmepụta nka
Mmeputakwa: dijitalụ mmeputakwa
Production usoro: mbipụta dijitalụ (Mbipụta UV ozugbo)
Ihe ngosi: arụpụtara na Germany
Ụdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: mgbidi gallery, foto mgbidi
Nhazi nka nka: nhazi odida obodo
Njikwa oyiyi: 4: 3
Oke akụkụ pụtara: ogologo bụ 33% ogologo karịa obosara
Ụdị ihe dị iche iche: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ akpa), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Ụdị mbipụta aluminom dibond: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Igwe onyonyo: na-enweghị etiti

Data nka ahaziri

Aha ọrụ nka: "Vintage Scene and Peasant Children Dancing (painting pair)"
Nhazi nka: sere
Otu sara mbara: nka ochie
Nhazi oge: 17th narị afọ
Afọ okike: 1650
Afọ nka: 370 afọ
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Nha nke ihe osise izizi: Nhazi: 111 x 142 x 8 cm (43 11/16 x 55 7/8 x 3 1/8 na); Edebereghị: 92 x 121 cm (36 1/4 x 47 5/8 na)
Egosiputara na: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Weebụsaịtị ihe ngosi nka: Velọ ihe ngosi nka nke Cleveland
License: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe kredit nke ọrụ nka: Onyinye nke Oriakụ Salmon P. Halle na ebe nchekwa Salmon Portland Halle

Onye na-ese ihe

Ihe nkiri: okirikiri nke Le Nain
Ọrụ onye na-ese ihe: onye na-ese ihe
nhazi ọkwa: nna ukwu ochie

Copyright right, www.artprinta.com (Artprinta)

Ozi izizi gbasara ọrụ nka nke Cleveland Museum of Art (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - www.clevelandart.org)

The mid-17th century saw revived interest in representations of the lower classes. Artists like the Le Nain brothers in France painted scenes that looked back to the Renaissance tradition of pastoral imagery. The Le Nain often depicted ordinary country folk going about their daily business, subjects and figures they remembered from their childhood in rural Laon. Considered a companion piece to Peasant Children Dancing (1958.175.2), Vintage Scene has also been attributed to the Master of the Béguins, a Flemish artist who worked in the manner of the Le Nain in Paris. Here, good-natured though bawdy males drink in the background shade, while at center a sweet-faced young woman surrounded by chubby children flashes the viewer a coy smile that reveals her awareness of the slowly creeping hand of her drunk companion. While peasants drinking was a popular subject among Flemish artists, the theme of wine connects the subject with the grape harvest, which recalls the Le Nain's agricultural homeland in France. This use of both aesthetic and biographical aspects of the Le Nain's lives demonstrates the Master of Béguins' ability to absorb the stylistic and thematic lessons of the famous brothers. --Hannah Segrave (October 2013)

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