Hyacinthe Rigaud, 1723 - Eserese Kadịnal Guillaume Dubois - mbipụta nka mara mma.

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Additional specifications from the museum (© - The Cleveland Museum of Art - www.clevelandart.org)

With his luxurious, flamboyant dress—a voluminous wrap of scarlet silk topped by a short fur cape—the subject of Hyacinthe Rigaud’s portrait was clearly a man of consequence. Guillaume Dubois gained the favor of Louis XIV as tutor to his nephew, Philippe Charles, Duke of Orléans, and served as chief minister under Louis’s successors, the regent Duke of Orléans and Louis’s great-grandson, Louis XV. Dubois was appointed a Cardinal in the Catholic Church in 1721, a lofty aspiration at least partly motivated by political ambition: the title gave him the ability to remove political adversaries with impunity. Dubois holds a letter with the words Au Roy (to the king); this portrait was painted in the same year the young Louis XV ascended to the throne.

Banyere ngwaahịa

Nke a kariri 290 nka nka nke afọ dị afọ Portrait of Cardinal Guillaume Dubois e sere ya Hyacinthe Rigaud. Ihe gafere 290 mbụ dị afọ ka e ji nha ya mee Nhazi: 180,5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 na); Edebereghị: 146,7 x 113,7 cm (57 3/4 x 44 3/4 na). Oil on canvas was used by the European painter as the technique for the masterpiece. The artwork's inscription is the following: signed on base of clock: fait par Hyacinthus Rigaud, 1723. Taa, ihe osise a gụnyere na Ụlọ ihe ngosi nka nke Cleveland art collection. With courtesy of - The Cleveland Museum of Art (nwere ikike - ngalaba ọha). : Ụgwọ nke ụlọ ọrụ John L. Severance Fund. N'elu nke ahụ, nhazigharị bụ ihe osise nwere oke 3: 4, meaning that the length is 25% shorter than the width. The painter Hyacinthe Rigaud was an artist from France, whose art style can be attributed mainly to Baroque. The European painter was born in the year 1659 in Perpignan, Occitanie, France and died at the age of 84 na 1743.

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  • Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The print on acrylic glass, often denoted as a print on plexiglass, will convert your favorite original artwork into marvellous home decoration. Above all, the acrylic glass fine art print offers a viable alternative option to aluminium or canvas fine art prints. Your work of art is being made thanks to the help of state-of-the-art UV print technology. It creates intense, stunning colors.
  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true depth, which creates a contemporary impression by having a non-reflective surface. A direct Aluminium Dibond Print is the ideal introduction to art prints made on aluminum. For your Print On Aluminum Dibond, we print your selected artpiece right on the surface of the aluminum material. The colors of the print are luminous, the details appear crisp.
  • Mpempe akwụkwọ mmado ebipụtara na akwa akwa: A poster is a printed cotton canvas paper with a slight surface texture. It is best suited for framing the fine art print with the help of a customized frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm round about the artwork to facilitate the framing with a custom frame.
  • Mbipụta kanvas: A canvas print, not to be confused with a canvas painting, is a digital replica printed on an industrial printing machine. A canvas generates the typical effect of three-dimensionality. Besides, canvas print generates a soft and pleasing ambience. A canvas of this artwork will allow you to transform your fine art print into a large size artwork as you know from art galleries. Hanging a canvas print: Canvas prints are relatively low in weight. That means, it is quite simple to hang the Canvas print without the use of additional wall-mounts. Therefore, canvas prints are suited for any type of wall.

Nchịkọta nkenke nke onye na-ese ihe

aha: Hyacinthe Rigaud
Aha utu aha: Mr. Rigaud, Rigand Hyacinthe, Jacinte Rigauld, Monsieur Rigaud, Rigo Hyacinthe, Hiacynthe Rigaud, Hyacinte Rigaud, Rigault Hyacinthe Francois Honore Mathias Pierre Andre Jean, Rigau Hyacintho, Rigault Hyacinthe-François-Honoré-Mathias-Pierre-André-Jean, Rigaud Hyacinthe, Rigaud Hyacinthe Francois Honore Mathias Pierre Andre Jean, Regaud, Hyacinthe Francois Honore Mathias Pierre Andre Jean Rigaud, rigaud h., H. Rigault, Rigaux, Rigaud Hyancinth, Hyac.Rigaud, Riguad, Hyacinthe Rigaud, Hiazinth Rigo, H. Rigaud, Hiacint Rigaux, Rigaud Hyacinthe-François-Honoré-Mathias-Pierre-André-Jean, Hy. Rigaud, Rigault, rigaud hyacinth, Hyac. Rigaud, Rigaud, Rigaut, Rigau y Ros Hyacinthe, Hyacinte Ringaud, Rigeaud, Rigand, Rigau y Ros Hyacinthe Francois Honore Mathias Pierre Andre Jean, Giacinto Rigaud, Rigo, Hyacinth Rigaud, rigaud hyacinthe, Hyacinthe Rigault, Rigau y Ros Hyacinthe-François-Honoré-Mathias-Pierre-André-Jean, Rigauld, Rigaust, Hyacynthe Rigaud, Riguad Hyacinthe, Rigault Hyacinthe
okike onye nka: nwoke
Nationality: French
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Mba onye si: France
Nkewa onye nka: nna ukwu ochie
styles: Baroque
Ndụ: 84 afọ
Afọ amụrụ: 1659
Ebe amụrụ onye: Perpignan, Occitanie, France
Afọ ọnwụ: 1743
Ebe ọnwụ: Paris, Ile-de-France, France

Ozi nka ahaziri

Aha eserese: "Portrait of Cardinal Guillaume Dubois"
Nhazi nka: sere
Otu sara mbara: nka ochie
Century: 18th narị afọ
Afọ okike: 1723
Afọ nka: karịa afọ 290
Ihe osise izizi: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): Nhazi: 180,5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 na); Edebereghị: 146,7 x 113,7 cm (57 3/4 x 44 3/4 na)
Akara mbinye aka: signed on base of clock: fait par Hyacinthus Rigaud, 1723
Ụlọ ihe ngosi nka / mkpokọta: Velọ ihe ngosi nka nke Cleveland
Ebe ebe ngosi nka: Cleveland, Ohio, United States nke America
website: Velọ ihe ngosi nka nke Cleveland
Ụdị nka nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe kredit nke ọrụ nka: Ụgwọ nke ụlọ ọrụ John L. Severance Fund

Ngwaahịa a

Bipụta ụdị ngwaahịa: mmepụta nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: UV kpọmkwem obibi
Mmalite nke ngwaahịa a: German mmepụta
Ụdị ngwaahịa: na mmepụta ihe
A na-atụ aro iji ngwaahịa eme ihe: nka mgbidi, ụlọ ihe osise nka
Nhazi nka nka: usoro eserese
Oke akụkụ: 3: 4 ogologo ruo obosara
Nsonaazụ: ogologo bụ 25% mkpụmkpụ karịa obosara
Nhọrọ akụrụngwa: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond)
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Aluminium dibond ebipụta (ihe aluminium) dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
ụba: ngwaahịa anaghị emebi emebi

Ederede iwu: We try whatever we can in order to describe our art products in as much detail as possible and to demonstrate them visually. However, the colors of the printing material, as well as the imprint might differ somehwat from the image on your screen. Depending on your screen settings and the condition of the surface, not all colors will be printed as realisitcally as the digital version shown here. Bearing in mind that all fine art prints are printed and processed manually, there may as well be slight discrepancies in the size and exact position of the motif.

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