Amaghị, 1730 - Eserese nke nwoke - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nka ahaziri
Akụkụ nka: | "Ihe osise nke nwoke" |
Nhazi: | sere |
Otu izugbe: | nka ochie |
Narị afọ nka: | 18th narị afọ |
Afọ nka: | 1730 |
Afọ nka: | 290 afọ |
Usoro izizi: | mmanụ na kwaaji |
Nha izizi: | Nhazi: 94 x 81,5 x 5 cm (37 x 32 1/16 x 1 15/16 na); Ekebereghị: 75,2 x 62,5 cm (29 5/8 x 24 5/8 na) |
Ụlọ ihe ngosi nka / mkpokọta: | Velọ ihe ngosi nka nke Cleveland |
Ebe ngosi nka: | Cleveland, Ohio, United States nke America |
URL webụ: | Velọ ihe ngosi nka nke Cleveland |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Velọ ihe ngosi nka nke Cleveland |
kreditline ọrụ nka: | Onyinye ezinụlọ nke Constance Mather Bishop |
Tebụl onye na-ese ihe
aha: | Unknown |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Nhazi nke onye nka: | nna ukwu ochie |
Nkọwa ngwaahịa ahaziri ahazi
Nkewa ngwaahịa: | ọmarịcha nka |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite ngwaahịa: | German mmepụta |
Stockdị ngwaahịa: | a na-achọ |
Eji ngwaahịa a chọrọ: | ihe osise nka, nka mgbidi |
Nhazi nka nka: | nhazi ihe osise |
Oke akụkụ onyonyo: | ogologo: obosara 1:1.2 |
Mmetụta ihe onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ụdị ihe dị iche iche: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond) |
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47" |
Igwe onyonyo: | adịghị |
Họrọ ngwa ngwaahịa ọkacha mmasị gị
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Mpempe akwụkwọ (ihe kwaaji): Our poster is a UV printed sheet of canvas with a fine structure on the surface. It is ideally appropriate for putting your art copy with a personal frame. Please note, that depending on the size of the poster print we add a white margin of approximately 2-6cm around the print motif in order to facilitate the framing.
- Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with an impressive depth effect, creating a modern look throuch a non-reflective surface. The Aluminium Dibond Print is the ideal start to fine art reproductions with aluminum. The bright & white sections of the original artpiece shine with a silk gloss but without glare.
- Mbipụta enyo acrylic: A glossy print on acrylic glass, often denoted as a UV print on plexiglass, will transform the artwork into wonderful décor.
- Kwaaji: The canvas print, not to be confused with an artwork painted on a canvas, is a digital image printed on a UV direct printing machine. Canvas Prints have the advantage of being relatively low in weight, meaning that it is quite simple to hang the Canvas print without the support of any wall-mounts. That is why, a canvas print is suited for any type of wall.
Eserese nke nwoke bụ ihe osise nke onye na-ese ihe kere Unknown. The version of the work of art was made with the absolute dimensions Nhazi: 94 x 81,5 x 5 cm (37 x 32 1/16 x 1 15/16 na); Ekebereghị: 75,2 x 62,5 cm (29 5/8 x 24 5/8 na) and was painted on the medium oil on canvas. Nowadays, this work of art can be viewed in in the Ụlọ ihe ngosi nka nke Cleveland nchịkọta. Site n'ikike nke: Cleveland Museum of Art (ikike ngalaba ọha). Also, the artwork has the creditline: Gift of the family of Constance Mather Bishop. Moreover, alignment of the digital reproduction is portrait and has a side ratio of 1 : 1.2, which implies that ogologo bụ 20% mkpụmkpụ karịa obosara.
Nkwupụta iwu: We try in order to depict our products with as many details as possible and to display them visually on the various product detail pages. Although, the tone of the print materials and the print result might vary to a certain extent from the image on the screen. Depending on the screen settings and the quality of the surface, not all color pigments are printed 100% realistically. Because our are processed and printed manually, there might also be minor differences in the motif's exact position and the size.
© Nwebiisinka nke, www.artprinta.com (Artprinta)