Jan van Goyen, 1645 - Nlele nke Emerich - mbipụta nka mara mma

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• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster print is a printed sheet of flat canvas with a nice texture on the surface. The printed poster is suited for putting the art replica using a special frame. Please note, that depending on the absolute size of the poster print we add a white margin of around 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
• Kwaaji: The printed canvas, not to be mistaken with a real artwork painted on a canvas, is a digital replica printed on an industrial printer. It creates a typical effect of three dimensionality. The printed canvas makes a lively and comfortable atmosphere. Canvas prints are relatively low in weight, which implies that it is quite simple to hang your Canvas print without additional wall-mounts. Because of thata canvas print is suitable for any type of wall.
• Mbipụta enyo acrylic: An acrylic glass print, which is often described as a print on plexiglass, will change the original into décor. Your work of art will be made with state-of-the-art UV printing technology. The great benefit of a plexiglass print is that contrasts as well as details will be visible due to the granular tonal gradation.
• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with a true depth effect, which creates a contemporary look thanks to a non-reflective surface structure. For our Aluminium Dibond option, we print the selected work of art on the surface of the aluminum material. The bright & white parts of the artpiece shine with a silk gloss but without the glow. Colors are bright and luminous in the highest definition, the fine details are clear and crisp.

Ihe dị mkpa: We try our utmost to describe our products in as much detail as possible and to exhibit them visually on the respective product detail pages. However, the pigments of the print materials, as well as the imprint might diverge marginally from the presentation on your screen. Depending on your settings of your screen and the quality of the surface, colors might not be printed 100% realistically. Because all the fine art prints are processed and printed manually, there might as well be slight deviations in the exact position and the size of the motif.

Ozi nkowa mgbakwunye from The Cleveland Museum of Art (© - Ụlọ ihe ngosi nka nke Cleveland - Velọ ihe ngosi nka nke Cleveland)

Jan van Goyen’s deceptively simple paintings record remarkably realistic impressions of weather, space, and the shifting interactions of land, water, light, and air. He worked with swift, intuitive brushstrokes and a limited range of colors: gray, brown, cool blues, and earthy greens. The artist often went on sketching trips along the Rhine River, visiting cities such as Arnhem, or the German city of Emmerich, depicted here. In the foreground, a shallow boat ferries passengers and horse-drawn wagons across the river.

Bipụta nchịkọta ngwaahịa

View of Emmerich mere site na Dutch onye na-ese ihe Jan van Goyen in the year 1645. The artwork was painted with the size: Framed: 105,5 x 136 x 9,5 cm (41 9/16 x 53 9/16 x 3 3/4 in); Unframed: 65,4 x 96,7 cm (25 3/4 x 38 1/16 in) and was crafted with the medium mmanụ n'elu osisi. Signed lower center on ferry: "VGoyen 1645" was the painting's original inscription. It can be viewed in in the The Cleveland Museum of Art's digital art collection. With courtesy of: The Cleveland Museum of Art (nwere ikike - ngalaba ọha). : Ụgwọ nke ụlọ ọrụ John L. Severance Fund. N'elu nke ahụ, nhazi nke mmepụta dijitalụ na-abanye odida obodo format na a akụkụ ruru nke 3: 2, meaning that the length is 50% longer than the width. The art dealer, painter Jan van Goyen was an artist from the Netherlands, whose art style can be classified as Baroque. The artist lived for 60 afọ - born in 1596 in Leyden, South Holland, Netherlands and passed away in 1656.

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