Jean Bernard Restout, 1771 - Ụra - mbipụta nka mara mma

Ihe osise nwere aha ụra ka nka nka nka

a nka ochie ọrụ nka ụra e kere ya Jean Bernard Restout n'afọ 1771. Emere ụdị ihe osise ahụ na nha: Nhazi: 127,5 x 160 x 14 cm (50 3/16 x 63 x 5 1/2 na); Emebereghị: 97,6 x 130 cm (38 7/16 x 51 3/16 na) wee mepụta ya na Usoro of mmanụ na kwaaji. Ọzọkwa, a artpiece nwere ike na-elele na na dijitalụ collection nke Velọ ihe ngosi nka nke Cleveland. Site n'ikike nke - Velọ ihe ngosi nka nke Cleveland (ọha na eze). : Leonard C. Hanna, Jr. Fund. Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị na odida obodo format na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.

Description by The Cleveland Museum of Art website (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - www.clevelandart.org)

The tradition of painting nude male figures in a studio setting was the cornerstone of artistic practice, teaching artists to depict the human body in complex poses in order to create larger narratives. However, by the late 1700s, some artists began to see these studies as independent works of art. By adding the wings and the poppies, Restout transformed his study into a more specific subject, and he first exhibited the work in a privately organized exhibition in 1783 under the title of Morpheus, the god of sleep.

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Maka mbipụta nka ọ bụla anyị na-enye nha & ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Mpempe iko acrylic na-egbuke egbuke: The print on acrylic glass, often referenced as a plexiglass print, makes your favorite original artwork into beautiful home decoration and makes a viable alternative option to canvas and dibond fine art replicas. The real glass coating protects your chosen art replica against light and external influences for many years.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster is a printed flat canvas paper with a slight surface finish. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6 cm round about the print motif, which facilitates the framing with your custom frame.
• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with a true depth, which creates a contemporary look throuch a non-reflective surface structure. The bright and white components of the artwork shine with a silk gloss, however without any glow. The colors of the print are luminous, the fine details of the print appear clear and crisp.
• Kwaaji: A canvas print is a printed cotton canvas mounted on a wooden frame. Hanging a canvas print: Canvas prints are relatively low in weight, which implies that it is easy to hang up your Canvas print without the use of additional wall-mounts. A canvas print is suited for any kind of wall.

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Important legal note: We try whatever we can in order to depict our art products as accurately as possible and to display them visually in our shop. Although, the tone of the print materials, as well as the imprint might vary slightly from the presentation on the monitor. Depending on your screen settings and the nature of the surface, color pigments might not be printed as exactly as the digital version shown here. Because all fine art prints are printed and processed by hand, there may as well be slight variations in the motif's size and exact position.

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