John Linnell, 1848 - Noa: Iv nke Iju Mmiri - ọmarịcha nka

The nkà nke oge a onye na-ese ihe kere ihe osise John Linnell. The original had the size: Framed: 168,5 x 242,5 x 9,5 cm (66 5/16 x 95 1/2 x 3 3/4 in); Unframed: 146 x 221 cm (57 1/2 x 87 in). Mmanụ na kwaaji etinyere onye na-ese ihe dị ka onye na-arụ ọrụ nka. Signed lower right: j. linnell / 1848 is the artwork's original inscription. Today, this work of art is in the the digital art collection of Velọ ihe ngosi nka nke Cleveland in Cleveland, Ohio, United States nke America. The ngalaba ọha a na-enye ọrụ nka site n'ikike nke Velọ ihe ngosi nka nke Cleveland. Also, the work of art has the following creditline: Mr. and Mrs. William H. Marlatt Fund. Furthermore, alignment is in odida obodo usoro na nwere akụkụ ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

Original artwork information as provided from the museum's website (© Copyright - by The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

John Linnell presents a vision of the British landscape rich in spiritual and poetic associations. He draws on the biblical story of Noah's ark in which God orders Noah to build a ship to harbor his family and animals from the great flood. The English poet John Milton (1608–1674) also addressed the story in his epic poem Paradise Lost (1667), a passage from which Linnell included alongside his painting at the Royal Academy exhibition in 1848. The context for Linnell's picture may represent the debate at that time between theologians and scientists over the accuracy of biblical sources. Alternatively, the awe-inspiring theme, represented most clearly in Linnell's apocalyptic swirl of sky, was of longstanding interest to romantic painters and writers.

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• Mbipụta kwaaji: A canvas direct print is a printed canvas mounted on a wood frame. It makes a unique look of three dimensionality. Canvas Prints have the great advantage of being relatively low in weight, meaning that it is easy to hang the Canvas print without the use of any wall-mounts. Canvas prints are suitable for all kinds of walls.
• Mbipụta nke aluminom: These are metal prints on aluminium dibond material with a true depth - for a modern look and a non-reflective surface. The Aluminium Dibond Print is the ideal start to the sophisticated world of art prints produced on aluminum. The bright and white sections of the original work of art shimmer with a silky gloss, however without the glow. The direct print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to display fine art reproductions, because it puts the viewer’s focus on the image.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a printed flat canvas with a granular surface finish. Please note, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm around the print in order to facilitate the framing with your custom frame.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is often described as a print on plexiglass, changes your favorite original into wall decoration. The artwork will be made with state-of-the-art UV printing technology. The major advantage of a plexiglass fine art print is that contrasts and granular image details will be exposed with the help of the precise tonal gradation. Our real glass coating protects your custom fine art print against light and heat for many years to come.

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Important information: We do our best to describe the art products as accurate as it is possible and to demonstrate them visually. Nevertheless, the colors of the print materials and the printing can diverge slightly from the presentation on the device's monitor. Depending on the settings of your screen and the quality of the surface, not all colors are printed as realistically as the digital version on this website. Because the fine art prints are printed and processed manually, there may also be slight discrepancies in the size and exact position of the motif.

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