Théodore Caruelle d'Aligny, 1861 - Ndị na-asa ahụ, ihe ncheta nke Banks nke Osimiri Anio na Tivoli - ọmarịcha nka.

Original description by The Cleveland Museum of Art (© - by The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Although painted in France, this work depicts bathers near Tivoli, a popular, parklike estate near Rome, famous for its fountains, picturesque hills, and lush forests. As was the custom for many artists of the 19th century, d'Aligny traveled to Italy to study. He remained there from 1825 until 1827, making careful drawings and oil sketches directly from the Roman countryside. He would often use these works to compose more finished paintings in his studio. Although d'Aligny visited Italy twice more, his last trip was in 1843. This painting, made years after that date, is therefore a true souvenir, that is, a recollection evoking his experiences in Italy

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Background information on the art print of the painting "The Bathers, Souvenir of the Banks of the Anio River at Tivoli"

N'afọ 1861 nwoke na-ese ihe Théodore Caruelle d'Aligny mere nke a ọrụ nka. Ihe gafere 150 ụdị mbụ nke afọ gbara nha Nhazi: 58,5 x 60,5 x 8 cm (23 1/16 x 23 13/16 x 3 1/8 na); Edebereghị: 37,5 x 41 cm (14 3/4 x 16 1/8 na) and was produced with the medium oil on wood panel. The original masterpiece has the following inscription: signed lower center: th. aligny. Nowadays, this artpiece belongs to the digital collection of Velọ ihe ngosi nka nke Cleveland. Site n'ikike nke: Velọ ihe ngosi nka nke Cleveland (license - public domain). The creditline of the artwork is: Mr. and Mrs. William H. Marlatt Fund. What is more, the alignment is square ya na oke akụkụ nke 1: 1, nke pụtara na ogologo ya na obosara.

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