Antonio del Ceraiolo, 1520 - Madonna na Nwatakịrị na Niche - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nchịkọta nke oyiri nka kpochapụwo
Na 1520 onye na-ese ihe Antonio del Ceraiolo kere ihe a 16th narị afọ artpiece "Madonna and Child in a Niche". The more than 500 Original dị afọ nwere nha: Nhazi: 87 x 72 x 5,5 cm (34 1/4 x 28 3/8 x 2 3/16 na); Edebereghị: 59,5 x 43,9 cm (23 7/16 x 17 5/16 na) e were kwa ihe-ọcha tee ya mmanụ n'elu osisi. Ọzọkwa, ọrụ nka gụnyere na nchịkọta dijitalụ nke Velọ ihe ngosi nka nke Cleveland, nke dị na Cleveland, Ohio, United States of America. Site n'ikike nke - Velọ ihe ngosi nka nke Cleveland (ikike ngalaba ọha). The creditline of the artpiece is: Holden Collection. On top of that, alignment of the digital reproduction is in Eserese format ya na oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.
Nkọwa zuru oke site na webụsaịtị ihe ngosi nka (© - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)
This image of Madonna with the Christ Child on her lap has been extensively altered by restoration. During the Renaissance, it was important that the Christ Child's genitalia be exposed, for it declared that Christ is the humanization of God, that he experienced temptation, and that in his exposure, he was without shame. When it was repainted, a cloth was added to the image to cover the Christ Child's genitalia. In 1941 the removal of old overpaint returned the painting more closely to its original state.
Nkọwa ọrụ nka
Aha nka nka: | "Madonna and Child in a Niche" |
Nhazi: | sere |
Otu sara mbara: | nka ochie |
Time: | 16th narị afọ |
Emepụtara n'afọ: | 1520 |
Afọ nka: | 500 afọ |
Ihe osise izizi: | mmanụ n'elu osisi |
Akụkụ ihe osise izizi: | Nhazi: 87 x 72 x 5,5 cm (34 1/4 x 28 3/8 x 2 3/16 na); Edebereghị: 59,5 x 43,9 cm (23 7/16 x 17 5/16 na) |
Ụlọ ihe ngosi nka / ebe: | Velọ ihe ngosi nka nke Cleveland |
Ebe ngosi nka: | Cleveland, Ohio, United States nke America |
website: | Velọ ihe ngosi nka nke Cleveland |
License: | ngalaba ọha |
Site n'aka: | Velọ ihe ngosi nka nke Cleveland |
kreditline ọrụ nka: | Nchịkọta Holden |
Banyere omenka
Aha onye nka: | Antonio del Ceraiolo |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
nhazi ọkwa: | nna ukwu ochie |
Họrọ ụdị ihe dị iche iche
N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ ihe na nha masịrị gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta kanvas: A printed canvas material mounted on a wooden stretcher frame. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without any wall-mounts. That is why, a canvas print is suited for any kind of wall.
- Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy print on acrylic glass, which is often described as a fine art print on plexiglass, makes the original artwork into beautiful home decoration. The work of art will be manufactured with the help of modern UV print machines. Our plexiglass protects your selected art replica against light and heat for many decades.
- Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster print is a printed sheet of flat canvas paper with a slightly rough surface finish. It is suited for putting your art copy in a personal frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2 - 6cm around the artwork, which facilitates the framing.
- Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an impressive depth effect. For the Print On Aluminum Dibond, we print the artwork right onto the aluminium surface. The white & bright parts of the original artwork shine with a silky gloss but without the glare.
Tebụl ngwaahịa
Nkewa edemede: | mmepụta nka |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | emepụtara na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ojiji ngwaahịa: | ihe ndozi mgbidi, gallery mmeputakwa nka |
Nhazi onyonyo: | usoro eserese |
Oke akụkụ: | 3: 4 |
Ntụgharị nkọwa akụkụ: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Akụrụngwa dị: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ. |
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mbipụta nke aluminom: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mbipụta nka: | na-enweghị etiti |
Ederede iwu dị mkpa: We try what we can in order to depict the products as precisely as it is possible and to showcase them visually. At the same time, the tone of the printed materials and the imprint can diverge to a certain extent from the representation on the device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed as realisitcally as the digital version on this website. Bearing in mind that all our art reproductions are printed and processed by hand, there may as well be slight variations in the exact position and the size of the motif.
© Nwebiisinka nke | www.artprinta.com (Artprinta)