Berthe Morisot, 1873 - Ọgụgụ - mbipụta nka mara mma

Ozi ndabere na ihe nka ihe karịrị afọ 140

Nke a karịrị 140 afọ eserese Reading onye na-ese ihe sere ya Berthe Morisot. Ụdị mbụ nke ọmarịcha ihe na-atụ nha - Nhazi: 74,3 x 100,3 x 12,1 cm (29 1/4 x 39 1/2 x 4 3/4 na); Edebereghị: 46 x 71,8 cm (18 1/8 x 28 1/4 na). Mmanụ na akwa ákwà was used by the painter as the medium of the artpiece. The masterpiece has the following text as inscrption: "signed lower right: [black:] B [in red:] erthe M[in black:] orisot Remnants of a signature lower left: B". Moveover, this artpiece is in the the Ụlọ ihe ngosi nka nke Cleveland nchịkọta dijitalụ. Site n'ikike nke: Velọ ihe ngosi nka nke Cleveland (license - public domain). : Gift of the Hanna Fund. Besides this, the alignment of the digital reproduction is landscape with a ratio of 3 : 2, which implies that ogologo bụ 50% ogologo karịa obosara. Berthe Morisot was a female painter from France, whose art style can be attributed primarily to Impressionism. The artist lived for 54 afọ - a mụrụ n'afọ 1841 in Bourges, Centre region, France and passed away in the year 1895.

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The fashionable woman seated in the foreground is the artist's sister, Edma. However, the painting is not a portrait. Morisot's principal concern was to render a figure in a natural, outdoor environment. Edma's white dress-the prime vehicle for Morisot's study of reflected light-is saturated with delicate lavender, blue, yellow, and rose tonalitites. Deftly executed with quick brushstrokes, the painting resounds with a feeling of freshness, vibrancy and delicate charm. "Every day I pray that the Good Lord will make me like a child," Morisot wrote, "That is to say, that He will make me see nature and render it the way a child would, without preconceptions." Morisot, the great granddaughter of the 18th-century French painter Jean-Honoré Fragonard, selected this painting as one of her four works shown in the first Impressionist exhibition of 1874.