Francesco Conti, 1735 - Laghachi na Nazaret - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nchịkọta ngwaahịa zuru ezu
Ọ bụ ndị mepụtara ihe osise a Italian artist Francesco Conti. The version of the piece of art was made with the size: Framed: 136,5 x 102,5 x 6 cm (53 3/4 x 40 3/8 x 2 3/8 in); Unframed: 118,2 x 84,2 cm (46 9/16 x 33 1/8 in). Oil on canvas was used by the Italian artist as the medium of the piece of art. Nowadays, this work of art can be viewed in in the The Cleveland Museum of Art's digital collection, which is located in Cleveland, Ohio, United States nke America. a nka ochie ngalaba ọha artpiece is included with courtesy of The Cleveland Museum of Art. The creditline of the artwork is: Maazị na Oriakụ William H. Marlatt Fund. E wezụga nke ahụ, nhazi ahụ dị n'ime Eserese format na oke nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. Francesco Conti was a male painter of Italian nationality, whose style can primarily be classified as Baroque. The artist lived for a total of 79 years, born in the year 1681 ma nwụọ na 1760.
Nkọwa ihe osise izizi sitere na Cleveland Museum of Art (© - The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)
Upon hearing rumor of a young king born to a virgin in Bethlehem, Herod, the ruler of Judea, jealously developed a plot to find and murder the infant Jesus. Fearing Herod's wrath, the Holy Family escaped to Egypt and eventually returned to Palestine-an echo of the great Exodus of the Old Testament. Conti trained in Rome but eventually made his career in Florence. Even given the pale colors, balletic poses, and attenuated forms, the sharp contrasts of dark and light, with figures emerging from deep shadow, attests to the long shadow of Caravaggio even in Florence a century later.
Iberibe ozi ndabere nka
Aha nka: | "Return to Nazareth" |
Nhazi nka: | sere |
Category: | nka ochie |
Century: | 18th narị afọ |
Emepụtara n'afọ: | 1735 |
Afọ nka: | karịa afọ 280 |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ nke nka nka izizi: | Nhazi: 136,5 x 102,5 x 6 cm (53 3/4 x 40 3/8 x 2 3/8 na); Edebereghị: 118,2 x 84,2 cm (46 9/16 x 33 1/8 na) |
Ụlọ ihe ngosi nka: | Velọ ihe ngosi nka nke Cleveland |
Ebe ngosi nka: | Cleveland, Ohio, United States nke America |
website: | Velọ ihe ngosi nka nke Cleveland |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Velọ ihe ngosi nka nke Cleveland |
kreditline ọrụ nka: | Maazị na Oriakụ William H. Marlatt Fund |
Tebụl metadata omenkà
Aha onye nka: | Francesco Conti |
Aliases: | Conti, Francesco Conti, Conti Francesco |
okike onye nka: | nwoke |
Obodo onye nka: | Italian |
Ọrụ: | onye na-ese ihe |
Mba onye si: | Italy |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Baroque |
Nwụrụ anwụ: | 79 afọ |
Afọ ọmụmụ: | 1681 |
Afọ nwụrụ: | 1760 |
Họrọ ihe ị ga-ekwu
The product dropdown menu provides you with the chance to choose your favorite material and size. You can choose your preferred material and size among the options:
- Mbipụta kwaaji: A printed canvas, which shall not be mistaken with an artwork painted on a canvas, is a digital image printed on a UV direct printer. Besides, printed canvas makes a cosy and enjoyable effect. Hanging a canvas print: A canvas print has the great advantage of being relatively low in weight, which implies that it is easy to hang up your Canvas print without the use of extra wall-mounts. Therefore, a canvas print is suitable for any kind of wall.
- Mbipụta nke aluminom: This is a metal print made on aluminium dibond material with an impressive depth effect. The Direct Print on Aluminum Dibond is your perfect introduction to art reproductions produced on aluminum. For your Aluminium Dibond option, we print your work of art onto the surface of the white-primed aluminum. The white and bright sections of the artwork shimmer with a silk gloss, however without glare. The colors are luminous in the highest definition, details of the print appear very clear.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a printed canvas with a granular surface texture. Please keep in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm around the artwork, which facilitates the framing.
- Mbipụta enyo acrylic: The print on acrylic glass, often labelled as a UV print on plexiglass, changes your favorite original into gorgeous wall décor and is a distinct alternative to canvas or dibond fine art replicas. The artwork will be manufactured thanks to the help of modern UV direct printing technology. The great upside of a plexiglass print is that contrasts and granular color details become more identifiable thanks to the precise gradation.
Tebụl ngwaahịa
Ụdị ngwaahịa: | ezi nka mmeputakwa |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | arụpụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | gallery mmeputakwa nka, mkpokọta nka (mmeputakwa) |
Nhazi onyonyo: | usoro eserese |
Oke akụkụ: | 1: 1.4 ogologo: obosara |
Akụkụ akụkụ pụtara: | ogologo bụ 29% mkpụmkpụ karịa obosara |
Akwa ngwaahịa dị: | mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond) |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 50x70cm - 20x28", 100x140cm - 39x55" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x70cm - 20x28", 100x140cm - 39x55" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x70cm - 20x28" |
Nhọrọ nha nha nke Dibond (ihe alumnium): | 50x70cm - 20x28", 100x140cm - 39x55" |
ụba: | agunyeghi |
Ederede iwu dị mkpa: We strive to describe the products as exact as possible and to illustrate them visually. Still, the tone of the print materials and the printing may vary somehwat from the image on your device's screen. Depending on your settings of your screen and the nature of the surface, colors might not be printed as realisitcally as the digital version on this website. Considering that all the fine art prints are processed and printed by hand, there may as well be minor discrepancies in the exact position and the size of the motif.
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