Francesco Guardi, 1750 - Tobias na mmụọ ozi - ọmarịcha nka

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ozi nka site na ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - Velọ ihe ngosi nka nke Cleveland)

This series of paintings predominantly tells the Old Testament story of Abraham and Isaac, and each of the canvases treats the interaction of humans and angels. In three works, angels appear to Abraham. However, the narrative of Tobias and the Angel comes from an entirely different book of the Bible. The blind Tobit sends his son Tobias off to collect a sum of money in the distant town of Media, with the angel Raphael accompanying him in disguise as a human. This particular work depicts Raphael overseeing Tobias catching a fish, which would later be used to cure his father's blindness.

Product ọmụma

The nka ochie piece of art was made by the Italian painter Francesco Guardi in 1750. Ihe gafere 270 year old original measures the size of Framed: 70,5 x 90,5 x 6,5 cm (27 3/4 x 35 5/8 x 2 9/16 in); Unframed: 56,5 x 75,5 cm (22 1/4 x 29 3/4 in). Mmanụ na kwaaji was used by the artist as the technique for the work of art. Nowadays, this piece of art is in the the digital collection of The Cleveland Museum of Art in Cleveland, Ohio, United States of America. This ngalaba ọha A na-etinye ọrụ nka na nkwanye ùgwù nke Velọ ihe ngosi nka nke Cleveland. : Mr. and Mrs. William H. Marlatt Fund. Moreover, alignment of the digital reproduction is in odida obodo format and has a side ratio of 4 : 3, meaning that the length is 33% longer than the width. Francesco Guardi was a male painter, whose art style can be attributed primarily to Baroque. The Baroque painter was born in the year 1712 na Venice, Venezia n'ógbè, Veneto, Italy na nwụrụ anwụ na afọ nke 81 Na 1793 na Venice, Venezia Province, Veneto, Italy.

Ngwa ngwaahịa ị nwere ike isi na ya were

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche & nha. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

  • Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a UV printed cotton canvas paper with a slightly rough finish on the surface, that reminds the original version of the masterpiece. A poster is best suited for framing the art replica using a custom frame. Please note, that depending on the absolute size of the poster we add a white margin of approximately 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
  • Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with an outstanding effect of depth - for a modern look and a non-reflective surface structure. For the Direct Print On Aluminum Dibond, we print your favorite work of art right on the aluminium composite white-primed surface. The white and bright parts of the original work of art shine with a silk gloss, however without any glow. The direct UV print on Aluminum Dibond is one of the most popular entry-level products and is a truly sophisticated way to display art reproductions, as it puts the viewer’s focus on the whole artwork.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The print on acrylic glass, which is often described as a an art print on plexiglass, transforms the original artwork into magnificient wall décor and is a distinct alternative to canvas and aluminidum dibond fine art replicas. The major upside of a plexiglass fine art copy is that sharp contrasts and also details become recognizeable due to the subtle gradation.
  • Kwaaji: A canvas print is a printed cotton canvas stretched on a wood stretcher. It creates a distinctive look of three dimensionality. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up your Canvas print without the support of extra wall-mounts. A canvas print is suited for any type of wall.

Tebụl nkọwa omenkà

aha: Francesco Guardi
Aliases: Francesco Guarde, f. guardi, Guada, Francisco Guardi, Gardis Francesco, Giradi, Gvardi Franchesko, franzesco guardi, guarde f., Garde, Guarde Francesco, Guardi, francesco de guardi, Garde Francesco, Guarde, Fran. Guardi, Guardi Francesco, guardi f., Francesco Guardi, guardi francesco, guardi francesco de, François Guardi, Franc. Guardi, Guardet Francesco, גוארדי פרנצ'סקו, Guardo, Gardis, Gaurdi, Fr. Guardi, guardi fr., Guardie, Gardi, Fr: Guardi, guardi f., Gardi Francesco, Gouardi, guardi franc., Guardet, francesco quardi, Gauda, Guada Francesco, Francisco Wardi élève de Canaletti, Gaurdy, Gauda Francesco
Gender: nwoke
Obodo onye nka: Italian
Ọrụ: onye na-ese ihe
Country: Italy
nhazi ọkwa: nna ukwu ochie
Ụdị nka: Baroque
Nwụrụ na afọ nke: 81 afọ
Amụrụ n'afọ: 1712
Ebe amụrụ onye: Venice, mpaghara Venezia, Veneto, Italy
Afọ ọnwụ: 1793
Ebe ọnwụ: Venice, mpaghara Venezia, Veneto, Italy

Ọrụ tebụl nka

Iberibe aha nka: "Tobias na mmụọ ozi"
Nhazi nka nka: sere
Otu izugbe: nka ochie
oge: 18th narị afọ
Afọ okike: 1750
Afọ nka: karịa afọ 270
Usoro nka izizi: mmanụ na kwaaji
Nha nke ihe nka izizi: Nhazi: 70,5 x 90,5 x 6,5 cm (27 3/4 x 35 5/8 x 2 9/16 na); Edebereghị: 56,5 x 75,5 cm (22 1/4 x 29 3/4 na)
Egosiputara na: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Weebụsaịtị ihe ngosi nka: Velọ ihe ngosi nka nke Cleveland
Licensedị ikike: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe E Si Nweta: Maazị na Oriakụ William H. Marlatt Fund

Product ọmụma

Ụdị ngwaahịa: mmepụta nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo
Ihe ngosi: emere na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa emebere: nka mgbidi, ime ụlọ
Nhazi: nhazi odida obodo
Ụdị anya: 4: 3 ogologo ruo obosara
Mmetụta akụkụ: ogologo bụ 33% ogologo karịa obosara
Akụrụngwa ị nwere ike ịhọrọ site na: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta kwaaji
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi mbipụta nka: adịghị

Disclaimer: We try our best in order to depict the products as exact as possible and to showcase them visually. Still, some tone of the print materials, as well as the printing may differ somehwat from the image on the monitor. Depending on the screen settings and the quality of the surface, color pigments might not be printed one hundret percent realistically. Since our are printed and processed by hand, there might also be slight discrepancies in the motif's exact position and the size.

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