François Boucher, 1730 - Onye isi nke nwa agbọghọ na-eto eto - mbipụta nka mara mma

Onyinye ngwaahịa

This over 290 year old work of art called Head of a Young Woman mere site François Boucher in 1730. The 290 Ihe nka dị afọ nwere nha: Nhazi: 47 x 40 x 6 cm (18 1/2 x 15 3/4 x 2 3/8 na); Edebereghị: 32,4 x 25,6 cm (12 3/4 x 10 1/16 na) ma arụpụtara ya na ọkara mmanụ na kwaaji. The artwork belongs to the The Cleveland Museum of Art's digital collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of Velọ ihe ngosi nka nke Cleveland (nwere ikike: ngalaba ọha). Ebe kredit nke ọrụ nka: Arịrịọ nke Muriel Butkin. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ Eserese ya na oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter François Boucher was an artist from France, whose art style can primarily be attributed to Rococo. The Rococo artist lived for 67 afọ, amuru na afo 1703 ma nwụọ na 1770.

Ozi nka ndị ọzọ sitere na webụsaịtị ihe ngosi nka (© - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

This work was catalogued as "style of Chardin" when it entered the museum's collection, and was considered a minor rococo revival work of the 1800s. In 2011, the museum asked Alastair Laing, the leading scholar of the artist Boucher, to study it. He confirmed that the painting is a rare survival from the artist's early career—one of only two known oil studies of this type by the artist.

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Ihe ndị ahịa anyị nwere ike isi na ya nweta

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Nhọrọ ndị a dị maka n'otu n'otu:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is often denoted as a an art print on plexiglass, will convert your favorite artwork into gorgeous décor. Our plexiglass with real glass coating protects your custom art replica against sunlight and heat for many years to come.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster is a UV printed canvas paper with a granular surface finish. A poster is excellently used for putting the fine art print using a special frame. Please note, that depending on the size of the poster we add a white margin of approximately 2 - 6cm around the painting, which facilitates the framing with your custom frame.
• Kwaaji: A UV printed canvas stretched on a wood stretcher frame. It generates a particular look of three-dimensionality. Canvas Prints have the great advantage of being low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of extra wall-mounts. Canvas prints are suited for all kinds of walls.
• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with an outstanding depth. For your Print On Aluminum Dibond, we print your work of art right on the surface of the white-primed aluminum composite. The bright & white components of the original work of art shine with a silk gloss, however without any glow. The colors are luminous, the details of the print are crisp and clear.

Banyere ngwaahịa

Ederede iwu: We try what we can in order to depict our art products as accurately as possible and to demonstrate them visually in our shop. Nonetheless, the colors of the printed materials and the printing may diverge marginally from the representation on the device's monitor. Depending on your screen settings and the nature of the surface, not all colors can be printed as exactly as the digital version. Given that all our fine art prints are printed and processed by hand, there may as well be minor discrepancies in the motif's size and exact position.

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