Gaetano Gandolfi, 1776 - Ezinụlọ Nsọ - mbipụta nka mara mma

39,99 €

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Artwork specifications from The Cleveland Museum of Art website (© Copyright - The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

A work of Gandolfi's later years, the Holy Family was exhibited in the religious festival at the church of San Procolo in Bologna in 1776. The painting's balanced composition, along with the suggestion of emotional connections among the figures, expresses the religious honesty of Gandolfi's art. Here St. Joseph holds the scriptures for the Christ child, who sits on his mother's lap; the elderly Joseph also holds the flowering rod, a sign from heaven that he was chosen to be Mary's husband. Joseph looks with concern toward Mary, who in turn looks up toward the cherubim hovering in a cloud at the upper left. Viewers of the private devotional painting were meant to understand that the young Christ reads of his future in the gospels, and that the suffering he will endure is reflected in Mary's sad gaze.

Ozi ndabere na mbipụta nka nke eserese ahụ "Ezinụlọ Nsọ"

Ezinụlọ Nsọ was by the artist Gaetano Gandolfi in 1776. The 240 years old version of the masterpiece measures the dimensions: Framed: 105,5 x 87 x 6 cm (41 9/16 x 34 1/4 x 2 3/8 in); Unframed: 87 x 68,5 cm (34 1/4 x 26 15/16 in) and was painted with the medium mmanụ na kwaaji. Ihe ọzọ, artwork mejupụtara akụkụ nke Ụlọ ihe ngosi nka nke Cleveland nchịkọta dijitalụ na Cleveland, Ohio, United States nke America. Site n'ikike nke - Velọ ihe ngosi nka nke Cleveland (ọha na eze). : Ụgwọ nke ụlọ ọrụ John L. Severance Fund. Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị Eserese format ma nwee oke nke 3: 4, which implies that the length is 25% shorter than the width. The painter, sculptor Gaetano Gandolfi was an artist from Italy, whose art style can be classified as Neoclassicism. The Italian artist was born in the year 1734 in Emilia-Romagna, Italy, region, administrative division and deceased at the age of 68 na 1802.

Ngwa ihe anyị na-enye:

Na nhọrọ ndọpụta ngwaahịa ị nwere ike họrọ nha na ihe onwunwe dabere na mmasị gị n'otu n'otu. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta kwaaji: The UV printed canvas stretched on a wooden stretcher frame. Also, a printed canvas generates a cosy, warm ambience. Your printed canvas of this artpiece will allow you to transform your into a large size artwork. Hanging your canvas print: A canvas print has the advantage of being low in weight, which implies that it is easy and straightforward to hang your Canvas print without additional wall-mounts. Canvas prints are suited for any type of wall.
  • Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond with an outstanding depth effect. For our Aluminium Dibond print, we print the favorite work of art onto the aluminium surface. The bright & white sections of the original artpiece shimmer with a silk gloss, however without glow. Colors are luminous in the highest definition, the fine details of the print are crisp and clear, and the print has a a matte look you can literally feel.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster print is a UV printed flat cotton canvas with a fine texture on the surface, that reminds the actual work of art. It is ideally qualified for putting your fine art print with the help of a personal frame. Please note, that depending on the size of the poster print we add a white margin 2 - 6cm around the print motif, which facilitates the framing.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often named a UV print on plexiglass, will turn the original work of art into wall decoration and is a great alternative option to aluminium or canvas art prints. Our acrylic glass protects your chosen fine art print against light and external influences for many years to come.

Onye na-ese ihe

Aha onye nka: Gaetano Gandolfi
Aha ndị ọzọ: gandolfi gaet., Gaetano Gandolfi, Gandolfi Gaetano
Gender: nwoke
Obodo onye nka: Italian
Ọrụ nke onye na-ese ihe: onye na-akpụ ihe, onye na-ese ihe
Obodo onye nka: Italy
Nhazi nke onye nka: nna ukwu ochie
Ụdị nka: Neoclassicism
Oge ndu: 68 afọ
Afọ ọmụmụ: 1734
Ebe omuma: Emilia-Romagna, Italy, mpaghara, nhazi nkewa
Afọ ọnwụ: 1802
Nwụrụ na (ebe): Bologna, Bologna n'ógbè, Emilia-Romagna, Italy

Ozi ndabere gbasara ọrụ nka

Aha nke ihe nka: " Ezinụlọ Nsọ"
Nhazi: sere
Okwu mkpokọta: nka ochie
Time: 18th narị afọ
Ekepụtara: 1776
Ogologo afọ nka nka: 240 afọ
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): Nhazi: 105,5 x 87 x 6 cm (41 9/16 x 34 1/4 x 2 3/8 na); Edebereghị: 87 x 68,5 cm (34 1/4 x 26 15/16 na)
Ụlọ ihe ngosi nka / mkpokọta: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
website: www.clevelandart.org
Ụdị ikike nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
kreditline ọrụ nka: Ụgwọ nke ụlọ ọrụ John L. Severance Fund

Banyere akụkọ

Ụdị edemede: ezi nka mmeputakwa
Mmeputakwa: dijitalụ mmeputakwa
Produzọ mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite ngwaahịa: German mere
Stockdị ngwaahịa: mmepụta ihe na-achọ
Ngwaahịa were: ihe ndozi ụlọ, foto mgbidi
Nhazi nka nka: nhazi ihe osise
Oke akụkụ: 3: 4
Akụkụ akụkụ pụtara: ogologo bụ 25% mkpụmkpụ karịa obosara
Akwa mmeputakwa dị: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ akpa), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Mbipụta nke aluminom: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Igwe onyonyo: agunyeghi

Ihe dị mkpa: We try everything to depict the art products as closely as possible and to showcase them visually on the product detail pages. Nonetheless, the tone of the print materials, as well as the print result might differ slightly from the presentation on your device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed as realisitcally as the digital version on this website. In view of the fact that our fine art prints are processed and printed manually, there might also be minor differences in the exact position and the size of the motif.

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