George B. Butler, 1884 - Capri Lace Maker - ọmarịcha nka

Ozi izugbe site na ihe ngosi nka (© - Ụlọ ihe ngosi nka nke Cleveland - Velọ ihe ngosi nka nke Cleveland)

George Butler studied with the American artist Thomas Hicks in New York City before going to Paris in 1859 to study with Thomas Couture, whose most famous pupils included Édouard Manet and Puvis de Chavannes. He returned to the United States and served in the Union Army during the Civil War, at which point he lost his right arm. He went to Italy in 1875, where he remained for a number of years. During his stay abroad, Butler painted Capri Lace Maker. Although to a contemporary viewer this work may seem to be a fairly traditional, conservative composition, the bravura of the brushwork and the thick layers of pigment mark the European influence on Butler's style. An accomplished academic painter, Butler was elected to the National Academy of Design in 1873 and exhibited this work there in 1884. A gift of the artist's daughter, Capri Lace Maker was the first painting to enter the museum's collection on February 2, 1915.

"Capri Lace Maker"dị ka akwụkwọ nkà

Ihe osise Capri Lace Maker onye omenkà mere ya George B. Butler. The original was painted with the absolute size: Unframed: 160 x 84,5 cm (63 x 33 1/4 in). Mmanụ na kwaaji was applied by the artist as the medium of the piece of art. Nowadays, this work of art forms part of the The Cleveland Museum of Art's art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of - Velọ ihe ngosi nka nke Cleveland (ọha na eze). The creditline of the artpiece is: Gift of Helen C. Butler. The alignment of the digital reproduction is Eserese na a akụkụ ruru nke 1: 2, nke pụtara na ogologo bụ 50% mkpụmkpụ karịa obosara.

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