George Inness, 1878 - Montclair, New Jersey - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nka sitere na Cleveland Museum of Art (© - Ụlọ ihe ngosi nka nke Cleveland - www.clevelandart.org)
During the later 19th century, when European artists were influencing American landscape painters, George Inness looked to France for stylistic inspiration. After a trip to Europe in 1853-54, during which he came into contact with contemporary French painters, Inness adopted a loose, painterly style. By the late 1870s, he was interested in conveying the intimate, mysterious aspects of nature.
Ozi nka
Aha nke ihe nka: | "Montclair, New Jersey" |
Nhazi nka nka: | sere |
Okwu nche anwụ: | nkà nke oge a |
oge: | 19th narị afọ |
Afọ okike: | 1878 |
Afọ nka: | ihe karịrị afọ 140 |
Ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi (ọrụ nka): | Nhazi: 46,5 x 60,5 x 4 cm (18 5/16 x 23 13/16 x 1 9/16 na); Edebereghị: 33,3 x 47,3 cm (13 1/8 x 18 5/8 na) |
Akara mbinye aka: | signed lower right: "G. Inness" |
Ụlọ ihe ngosi nka / ebe: | Velọ ihe ngosi nka nke Cleveland |
Ebe ngosi nka: | Cleveland, Ohio, United States nke America |
ibe weebụ: | Velọ ihe ngosi nka nke Cleveland |
License: | ngalaba ọha |
Site n'aka: | Velọ ihe ngosi nka nke Cleveland |
Ebe E Si Nweta: | Onyinye amabeghị aha, Mkpokọta Ncheta Frank E. na Theano Wattles |
Ozi omenkà Contextal
Ihe nkiri: | George Inness |
okike nke onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Country: | United States |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nka: | Mmetụta |
Akwụsị: | 69 afọ |
Afọ amụrụ: | 1825 |
Afọ ọnwụ: | 1894 |
Nwuru na (ebe): | Bridge nke Allan, Scotland |
Ngwaahịa a
Ụdị edemede: | ọrụ mgbidi |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | UV kpọmkwem obibi |
Mmalite ngwaahịa: | Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa emebere: | ụlọ mmepụta ihe nka, ihe ndozi mgbidi |
Nhazi onyonyo: | nhazi odida obodo |
Oke akụkụ onyonyo: | 3: 2 |
Nsonaazụ: | ogologo bụ 50% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ site na: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Mbipụta aluminom (aluminium dibond ihe) dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi mbipụta nka: | agunyeghi |
Nhọrọ ihe onwunwe
Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha dị iche iche. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Kwaaji: The printed canvas, which should not be confused with a canvas painting, is a digital replica printed from a UV direct printer. A canvas creates a unique look of three dimensionality. What is more, canvas print makes a cosy and comfortable look. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. A canvas print is suitable for all kinds of walls.
- Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a UV printed sheet of canvas paper with a slightly roughened surface finish, that reminds the original work of art. A printed poster is particularly appropriate for placing your fine art print using a custom-made frame. Please note, that depending on the size of the poster print we add a white margin 2-6cm round about the print motif to facilitate the framing with a custom frame.
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print material with an outstanding effect of depth, which makes a modern impression thanks to a non-reflective surface structure. A direct Aluminium Dibond Print is the best introduction to fine art reproductions on aluminum. The bright parts of the artpiece shimmer with a silk gloss, however without any glow. The colors are luminous, details of the print are very clear.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The print on acrylic glass, often described as a print on plexiglass, changes your favorite original work of art into wall decoration and makes a distinct alternative option to dibond or canvas art prints. The artwork will be manufactured with the help of state-of-the-art UV direct printing machines.
Data ngwaahịa nka
The 19th narị afọ piece of art was made by the American painter George Inness. The 140 year-old version of the artpiece has the size - Nhazi: 46,5 x 60,5 x 4 cm (18 5/16 x 23 13/16 x 1 9/16 na); Edebereghị: 33,3 x 47,3 cm (13 1/8 x 18 5/8 na). Mmanụ na kwaaji was applied by the American artist as the technique for the masterpiece. It is inscribed with the following details: "signed lower right: "G. Inness"". Furthermore, this work of art is in the the collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. The nkà nke oge a ngalaba ọha a na-enye ọrụ nka site n'ikike nke Velọ ihe ngosi nka nke Cleveland. Na mgbakwunye na nke ahụ, ọrụ nka nwere akara kredit ndị a: Onyinye amabeghị aha, Mkpokọta Ncheta Frank E. na Theano Wattles. Moreover, alignment is landscape with a side ratio of 3 : 2, which means that ogologo bụ 50% ogologo karịa obosara. George Inness was a painter from United States, whose style can mainly be classified as Impressionism. The Impressionist painter was born in 1825 ma gafee na afọ nke 69 N'afọ 1894 na Bridge of Allan, Scotland.
Legal disclaimer: We try all that we can in order to describe the art products as accurately as it is possible and to display them visually on the different product detail pages. Nevertheless, some pigments of the printing material and the imprint can vary somehwat from the representation on your monitor. Depending on your screen settings and the condition of the surface, color pigments might not be printed one hundret percent realistically. In view of the fact that all art reproductions are processed and printed by hand, there might as well be slight differences in the motif's size and exact position.
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