Giovanni Antonio Pellegrini, 1710 - Continence nke Scipio - ọmarịcha nka.

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Original artwork description by The Cleveland Museum of Art website (© - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

In a story of virtuous leadership and wise government, the Roman commander Scipio Africanus the Elder appears after his stunning conquest of New Carthage in Spain in 209 BC. Standing above the crowd, he returns his victor’s reward--a beautiful young woman--to her husband.

The nka ochie work of art was painted by the painter Giovanni Antonio Pellegrini. The over 310 mbụ afọ afọ ka e ji nha: Nhazi: 155,5 x 132 x 12 cm (61 1/4 x 51 15/16 x 4 3/4 na); Emebereghị: 127 x 105 cm (50 x 41 5/16 na). Mmanụ na kwaaji was used by the Italian painter as the medium of the artpiece. Besides, this artpiece is included in the Ụlọ ihe ngosi nka nke Cleveland digital art collection in Cleveland, Ohio, United States of America. This nka ochie public domain piece of art is provided, courtesy of Velọ ihe ngosi nka nke Cleveland. The creditline of the artwork is the following: Mr. and Mrs. William H. Marlatt Fund. In addition to this, the alignment of the digital reproduction is portrait and has a ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Giovanni Antonio Pellegrini was a European artist, whose style can be attributed mainly to Baroque. The painter was born in the year 1675 in Venice, Venezia province, Veneto, Italy and deceased at the age of 66 na 1741.

Akụrụngwa ị nwere ike isi na ya nweta

The product dropdown menu provides you with the opportunity to select your prefered material and size. You can pick your favorite material and size among the choices:

  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true depth effect - for a modern look and non-reflective surface. A direct Aluminium Dibond Print is the best start to art reproductions with aluminum.
  • Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often denoted as a UV print on plexiglass, makes your favorite original into wonderful home décor. Additionally, the acrylic glass fine art print makes a great alternative to dibond or canvas fine art replicas. The artwork is printed with state-of-the-art UV printing technology. The special effect of this are vivid, sharp colors. The great advantage of an acrylic glass print is that contrasts as well as smaller artwork details will be exposed due to the very fine tonal gradation. The plexiglass protects your chosen art print against light and heat for many years.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster is a UV printed canvas paper with a granular surface structure. A poster is best designed for putting the art copy in a customized frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6 cm round about the painting in order to facilitate the framing with your custom frame.
  • Mbipụta kwaaji: The canvas direct print is a printed cotton canvas stretched on a wood stretcher. Additionally, a canvas print makes a lively and comfortable effect. Canvas Prints have the advantage of being relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without the help of extra wall-mounts. Because of thata canvas print is suitable for all kinds of walls.

Nyocha ngwa ngwa nke onye na-ese ihe

Ihe nkiri: Giovanni Antonio Pellegrini
Aliases: Antonio Pellegrini scuola veneta, gio antonio pellegrini, g. a. pellegrini, Ant Pellegrini, Sen. Peregrini, Pellegrini Giannantonio, Antonio Pellegrini, פלגריני ג'יובני אנטוניו, Anton Pellegrini, Pellegrini Giovanni, Giovanni Antonio Pellegrini, Jean-Antoine Pellegriny, Pellegrini Antonio, Jean-Antoine Pellegrini, g. antonio pellegrini, giov. antonio pellegrini, pellegrini giovanni antonio, Giovanni Antonio Pelegrina, Ant. Pellegrini, Pelegrina, Pellegrini, Pellegrini Giovanni Antonio, giovanni pellegrini, Peligrini, Pellegrini de Venise, Antonius Bellegrini
okike nke onye nka: nwoke
Obodo onye nka: Italian
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Mba onye si: Italy
Otu nka: nna ukwu ochie
styles: Baroque
Nwụrụ anwụ: 66 afọ
Afọ ọmụmụ: 1675
Ebe amụrụ onye: Venice, mpaghara Venezia, Veneto, Italy
Nwuru: 1741
Nwụrụ na (ebe): Venice, mpaghara Venezia, Veneto, Italy

Nkọwa gbasara ọrụ nka pụrụ iche

Aha nke eserese ahụ: "Nkwụsị nke Scipio"
nhazi ọkwa: sere
Okwu mkpokọta: nka ochie
Narị afọ nka: 18th narị afọ
Afọ nka: 1710
Ogologo afọ nka nka: 310 afọ
Usoro izizi: mmanụ na kwaaji
Nha nke ihe nka izizi: Nhazi: 155,5 x 132 x 12 cm (61 1/4 x 51 15/16 x 4 3/4 na); Emebereghị: 127 x 105 cm (50 x 41 5/16 na)
Ụlọ ihe ngosi nka / mkpokọta: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Weebụsaịtị ihe ngosi nka: Velọ ihe ngosi nka nke Cleveland
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
kreditline ọrụ nka: Maazị na Oriakụ William H. Marlatt Fund

Banyere ihe a

Ụdị edemede: ọrụ mgbidi
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Nlụpụta: emepụtara na Germany
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa a chọrọ: foto mgbidi, nka mgbidi
Nhazi nka nka: usoro eserese
Ụdị anya: 1: 1.2 ogologo ruo obosara
Nkọwa nke oke ihe onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ dị: ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ nha nha nke Dibond (ihe alumnium): 50x60cm - 20x24", 100x120cm - 39x47"
ụba: biko mara na edeghị nnomi nka nka

Ederede iwu dị mkpa: We make every effort to depict the products as clearly as possible and to illustrate them visually in our shop. Still, the tone of the print products, as well as the imprint might vary marginally from the image on the monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments can be printed as realisitcally as the digital version. Bearing in mind that all our art prints are processed and printed by hand, there might as well be slight deviations in the exact position and the size of the motif.

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