John Constable, 1828 - Alaka Hill ọdọ mmiri, Hampstead - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Onyinye ngwaahịa nka
Ihe karịrị 190 afọ ọrụ nka e sere site British artist john constable. Ihe gafere 190 year old original version had the following size Nhazi: 89 x 105,5 x 11,5 cm (35 1/16 x 41 9/16 x 4 1/2 na); Edebereghị: 60,6 x 78,1 cm (23 7/8 x 30 3/4 na) and was manufactured with the medium oil on canvas. The artwork is in the the Ụlọ ihe ngosi nka nke Cleveland collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. The public domain piece of art is included with courtesy of Velọ ihe ngosi nka nke Cleveland. Ebe kredit nke ọrụ nka: Leonard C. Hanna, Jr. Fund. E wezụga nke a, alignment bụ na odida obodo format ya na oke nke 4: 3, meaning that the length is 33% longer than the width. The painter John Constable was an artist, whose art style can be attributed mainly to Romanticism. The Romanticist painter was born in the year 1776 in East Bergholt, Suffolk, England, United Kingdom and passed away at the age of 61 n'afọ 1837.
Ozi izizi gbasara nka sitere na Cleveland Museum of Art (© Nwebiisinka - site na Cleveland Museum of Art - www.clevelandart.org)
From 1819 to 1826, Constable rented a summer house at Hampstead, a quarrying district on the northern outskirts of London, where he made drawings, oil sketches, and paintings of the surrounding landscape. In this painting, the atmosphere plays a dominant role. The artist meticulously observed and recorded cloud formations, weather conditions, and natural light effects; he believed an accurate rendering of these constantly shifting elements could transmit the vitality and freshness that was so important to his vision of the English countryside. Constable's insistently overcast skies, with rain or the promise of rain, were distinctly British, and his treatment of them is how he distanced himself from the more temperate Italianate landscapes, seen in the golden glow of sky in paintings by Richard Wilson, Thomas Gainsborough, and John Martin that many still considered the ideal of natural beauty.
Ozi ndabere na nka
Iberibe aha nka: | "Branch Hill Pond, Hampstead" |
Nhazi: | sere |
Otu izugbe: | nkà nke oge a |
Century: | 19th narị afọ |
Emepụtara na: | 1828 |
Ogologo afọ nka nka: | ihe karịrị 190 afọ |
Ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi nka: | Nhazi: 89 x 105,5 x 11,5 cm (35 1/16 x 41 9/16 x 4 1/2 na); Edebereghị: 60,6 x 78,1 cm (23 7/8 x 30 3/4 na) |
Ụlọ ihe ngosi nka: | Velọ ihe ngosi nka nke Cleveland |
Ebe ngosi nka: | Cleveland, Ohio, United States nke America |
Dị n'okpuru: | www.clevelandart.org |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Velọ ihe ngosi nka nke Cleveland |
Ebe kredit nke ọrụ nka: | Leonard C. Hanna, Jr. Fund |
Tebụl nchịkọta ihe nkiri
Aha onye nka: | john constable |
Aliases: | J. Constable R.A., Konstabŭl Dzhon, Constable, john constable r.a., john constable r. a., קונסטבל ג'ון, John Constable, Constable R.A., Constable John, john constabel, קונסטבל ג׳והן, constable john, Kʻang-ssŭ-tʻê-pu-êrh, Konsteblʹ Dzhon, John Constable R. A., jn. constable, constable j., J. Constable |
Gender: | nwoke |
Nationality: | British |
Ọrụ: | onye na-ese ihe |
Mba onye si: | United Kingdom |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Ihunanya |
Nwụrụ anwụ: | 61 afọ |
Amụrụ n'afọ: | 1776 |
Amụrụ na (ebe): | East Bergholt, Suffolk, England, United Kingdom |
Afọ ọnwụ: | 1837 |
Ebe ọnwụ: | Hampstead, London, Greater London, England, United Kingdom, agbataobi |
Họrọ ihe kacha amasị gị
Maka akwụkwọ nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:
- Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a printed sheet of flat canvas paper with a slightly roughened texture on the surface. It is used for putting your art copy using a custom frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6 cm round about the print motif, which facilitates the framing with your custom frame.
- Mbipụta nke aluminom: An Aluminium Dibond print is a print material with a true depth. Its non-reflective surface creates a contemporary look. The bright parts of the original artwork shimmer with a silky gloss but without the glare.
- Ugogbe acrylic ebipụtara: A glossy acrylic glass print, which is often referred to as a an art print on plexiglass, transforms your favorite original artwork into gorgeous décor and makes a great alternative option to canvas or aluminium dibond fine art replicas. Your favorite work of art is manufactured with the help of state-of-the-art UV direct print technology. The great upside of an acrylic glass print is that contrasts and minor image details become visible thanks to the delicate tonal gradation in the print. Our plexiglass with real glass coating protects your chosen art replica against light and external influences for many more years.
- Kwaaji: The canvas print, which should not be mistaken with a canvas painting, is an image printed on an industrial printing machine. Canvas prints are relatively low in weight, which implies that it is quite simple to hang up the Canvas print without any wall-mounts. Because of thatcanvas prints are suitable for all kinds of walls.
Nkọwa ngwaahịa
Nkewa edemede: | ọmarịcha nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ |
Ihe ngosi: | German mere |
Stockdị ngwaahịa: | na mmepụta ihe |
Ihe eji eme atụmatụ: | Ụlọ ihe osise nka, ihe ndozi ụlọ |
Nhazi onyonyo: | usoro odida obodo |
Oke akụkụ onyonyo: | 4: 3 ogologo ruo obosara |
Oke onyonyo pụtara: | ogologo bụ 33% ogologo karịa obosara |
Nhọrọ dị: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhọrọ ebipụta aluminom: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Igwe onyonyo: | oyiri nka na-enweghị isi |
Nkwupụta iwu: We try whatever we can in order to depict our products with as many details as possible and to demonstrate them visually on the different product detail pages. At the same time, the tone of the print products and the print result may diverge to a certain extent from the image on the device's monitor. Depending on your settings of your screen and the nature of the surface, color pigments might not be printed 100% realistically. Bearing in mind that our fine art prints are printed and processed manually, there might as well be slight differences in the size and exact position of the motif.
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