Simon Vouet, 1630 - Saint Mary Magdalen - mbipụta nka mara mma

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In 1630 na nwoke artist Simon Vouet painted this 17th century painting. The more than 390 mbụ dị afọ tụrụ nha: Nhazi: 159 x 132 x 13 cm (62 5/8 x 51 15/16 x 5 1/8 na); Edebereghị: 130,8 x 103,5 cm (51 1/2 x 40 3/4 na). Mmanụ na kwaaji was applied by the painter as the technique for the piece of art. It can be viewed in in the digital art collection of Velọ ihe ngosi nka nke Cleveland, nke bụ otu n'ime ụlọ ngosi ihe mgbe ochie na-ewu ewu n'ụwa nile nke na-ewu, na-echekwa, na-amụ ihe, ma na-ekesa nchịkọta nkà ya pụtara ìhè site n'oge niile na akụkụ nke ụwa, na-emepụta akwụkwọ mmụta na nghọta ọhụrụ, ebe ọ na-eje ozi dị ka ebe ọha na eze na ọgụgụ isi obodo ya. Site n'ikike nke: Velọ ihe ngosi nka nke Cleveland (ikikere: ngalaba ọha). Ebe kredit nke ọrụ nka: Leonard C. Hanna, Jr. Fund. E wezụga nke ahụ, nhazi nke mmepụta dijitalụ bụ ihe osise ma nwee oke akụkụ nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Simon Vouet was a painter from France, whose art style can be attributed primarily to Baroque. The painter lived for 59 years and was born in the year 1590 na Paris, Ile-de-France, France na nwụrụ na 1649.

General information by the museum (© - The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Vouet worked in Rome for several years before he was summoned back to France in 1627 to serve as court painter to King Louis XIII. This painting, executed soon after his return, reveals how skillfully Vouet adapted his Italian experiences to local tastes: the focus on a single monumental figure, positioned close to the picture plane, reflects the influence of Caravaggio, but the vivid pastel colors accord with the French preference for a brighter palette. Representations of the penitent Magdalene—expressing Christian devotion but also sensuality—were exceedingly popular in the 1600s.

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In the dropdown menu next to the product offering you can pick your favorite size and material. You can choose among the following product customization options:

• Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a UV printed canvas paper with a nice texture on the surface. The poster is suited for framing your art replica with a customized frame. Please note, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the artwork, which facilitates the framing with a custom frame.
• Mbipụta kanvas: The UV printed canvas material stretched on a wood frame. A canvas creates a unique impression of three dimensionality. Your canvas of this masterpiece will allow you to transform your individual art print into a large work of art like you know from galleries. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without the use of extra wall-mounts. A canvas print is suitable for any kind of wall in your home.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is often denoted as a plexiglass print, will transform an original into magnificient décor and forms a great alternative option to canvas and aluminidum dibond fine art replicas. Your work of art is being custom-made thanks to the help of state-of-the-art UV printing machines. With an acrylic glass art print sharp contrasts plus granular color details become identifiable thanks to the subtle gradation in the print.
• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with a true effect of depth. A direct Direct Print on Aluminum Dibond is the excellent introduction to fine art prints on aluminum. For your Aluminium Dibond option, we print the selected artwork onto the surface of the aluminum composite. The bright parts of the artpiece shine with a silk gloss but without any glare.

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Nkwupụta iwu: We do our best to describe the art products as accurately as possible and to display them visually. However, the colors of the print materials, as well as the print result may vary somehwat from the image on your monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed as exactly as the digital version depicted here. Because all art reproductions are printed and processed manually, there might also be minor differences in the motif's size and exact position.

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