William Holman Hunt, 1868 - Oriakụ George Waugh - mbipụta nka mara mma

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Ọ bụ ndị mepụtara ihe osise a nwoke British artist William Holman Hunt in 1868. The more than 150 year-old original was painted with the size - Nhazi: 115,5 x 95,5 x 6 cm (45 1/2 x 37 5/8 x 2 3/8 na); Emebereghị: 86,2 x 66,1 cm (33 15/16 x 26 na) e were kwa ihe-ọcha tee ya mmanụ na akwa ákwà. The original artwork's inscription is: "signed and dated lower left: 18whh68 [initials in monogram]; and signed again lower left: whh [monogram]". It is included in the Ụlọ ihe ngosi nka nke Cleveland collection. We are glad to reference that this ngalaba ọha work of art is supplied with courtesy of The Cleveland Museum of Art. The creditline of the artwork is the following: Maazị na Oriakụ William H. Marlatt Fund. E wezụga nke ahụ, nhazi ahụ dị n'ime Eserese format ma nwee oke akụkụ nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The artist, painter, autobiographer William Holman Hunt was an artist, whose artistic style can be attributed mainly to Romanticism. The European painter was born in 1827 na London, Greater London, England, United Kingdom ma nwụọ mgbe ọ dị afọ 83 n'afọ 1910.

Additional information by the museum's website (© Copyright - by The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

The sitter, Mary Walker Waugh (1805–1886), was the artist's mother-in-law. The portrait was made shortly after the death of Hunt's wife, Fanny. In August of 1866 Hunt and his pregnant wife embarked for the Near East. Their son was born in Florence, but Fanny became ill and died. Mrs. Waugh blamed Hunt for the death of her daughter. Hunt and his son returned to London and moved into the Waugh household where he made this portrait. The sitter's stern look and the heavy background convey a tense and anger-filled atmosphere. The frame, designed by the artist, is original.

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• Mbipụta enyo acrylic: A glossy print on acrylic glass, which is sometimes described as a plexiglass print, will turn your favorite original into brilliant wall décor. Furthermore, the acrylic art print offers a viable alternative option to aluminium and canvas art prints.
• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an impressive effect of depth. A direct Direct Print on Aluminum Dibond is the perfect introduction to art replicas manufactured on aluminum. The bright & white components of the original artwork shimmer with a silky gloss, however without any glow. The colors of the print are luminous in the highest definition, the details are crisp, and you can really perceive a matte appearance of the art print surface. This direct print on Aluminum Dibond is the most popular entry-level product and is a truly stylish way to showcase fine art prints, since it draws focus on the replica of the artwork.
• Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed sheet of canvas paper with a granular surface structure. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the print, which facilitates the framing with a custom frame.
• Mbipụta kanvas: The canvas print, not to be confused with a canvas painting, is a digital replica applied onto cotton canvas. A canvas makes the exclusive effect of three-dimensionality. A canvas print of your favorite artwork will allow you to transform your very own fine art print into a large work of art like you know from art galleries. Canvas Prints have the advantage of being low in weight, which means that it is easy to hang the Canvas print without extra wall-mounts. Because of thata canvas print is suited for any type of wall.

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