Francesco Diofebi, 1836 - Mmeghe nke ili Raphael na Pantheon 1833 - mbipụta nka mara mma.

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

(© Nwebiisinka - Thorvaldsens Museum - Ụlọ ihe ngosi nka Thorvaldsens)

The Renaissance artist Raphael was a cult figure in the 19th century, and some uncertainty as to where the famous painter was really buried led to the opening of his assumed tomb in the Pantheon on 14 September 1833. 75 distinguished figures had been invited. There were representatives of art, the Church, the City of Rome and, most important of all, medicine, who acted as judges. Thorvaldsen was naturally among the artists, the figure with the white hair behind the seated papal representative, Cardinal Vicario Zurla. As emerges from the painting, the tomb turned out to contain a skeleton, and it was determined by those present that these really were Raphael’s earthly remains.

Ozi ndabere ngwaahịa

a nkà nke oge a piece of art was created by Francesco Diofebi in 1836. The beyond 180 year-old original version was made with the size: 54,9 x 70,0 cm. Oil on canvas was used by the Italian artist as the technique for the artpiece. Nowadays, the piece of art forms part of the Ụlọ ihe ngosi nka nke Thorvaldsens mkpokọta nka dị na Copenhagen, Denmark. The nkà nke oge a artpiece, which belongs to the public domain is supplied with courtesy of Francesco Diofebi, The opening of Raphael's grave in Pantheon 1833, 1836, Thorvaldsens Museum, www.thorvaldsensmuseum.dk.In addition to that, the work of art has the following creditline: . The alignment of the digital reproduction is in odida obodo format na a akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara.

Họrọ ihe ị ga-ekwu

The product dropdown menu ofers you the opportunity to select a material and a size of your choice. The following options are available for individualization:

  • Ihe odide acrylic glass: An print on acrylic glass, which is often referenced as a fine art print on plexiglass, will change your favorite original work of art into amazing home decoration. The real glass coating protects your custom art replica against light and external influences for several decades.
  • Aluminom dibond (ọkpụkpụ ọla): This is a metal print made on aluminium dibond material with an outstanding depth effect. The bright & white parts of the artpiece shimmer with a silky gloss, however without any glare.
  • Kwaaji: A printed canvas, not to be mistaken with a painting on a canvas, is a digital copy applied onto cotton canvas. In addition to that, a canvas print makes a homelike and pleasing impression. How do I hang a canvas on my wall? The great advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang your Canvas print without the support of extra wall-mounts. A canvas print is suitable for any kind of wall.
  • Ebipụta akwụkwọ mmado na ihe akwa akwa: Our poster print is a printed sheet of cotton canvas paper with a slightly rough texture on the surface. It is optimally appropriate for framing the art copy with the help of a custom frame. Please note, that depending on the absolute size of the poster print we add a white margin 2 - 6cm around the artwork to facilitate the framing with a custom frame.

Ozi ndabere izugbe gbasara onye na-ese ihe

Aha onye nka: Francesco Diofebi
Aha ndi ozo: Francesco Diofebi, Diofebi Francesco
okike nke onye nka: nwoke
Nationality: Italian
Ọrụ onye na-ese ihe: onye na-ese ihe
Obodo obibi: Italy
nhazi ọkwa: omenkà nke oge a
Afọ ọnwụ: 70 afọ
Afọ amụrụ: 1781
Nwuru: 1851

Data nka ahaziri

Aha nka: "The opening of Raphael's grave in Pantheon 1833"
Nhazi nke ọrụ nka: sere
Okwu nche anwụ: nkà nke oge a
Time: 19th narị afọ
Year: 1836
Afọ nka: ihe karịrị 180 afọ
Agba na: mmanụ na kwaaji
Nha ihe osise izizi: 54,9 x 70,0 cm
Ụlọ ihe ngosi nka / mkpokọta: Ụlọ ihe ngosi nka Thorvaldsens
Ebe ngosi nka: Copenhagen, Denmark
Weebụsaịtị ihe ngosi nka: Ụlọ ihe ngosi nka Thorvaldsens
Ụdị ikike nka: ngalaba ọha
Site n'aka: Francesco Diofebi, The opening of Raphael's grave in Pantheon 1833, 1836, Thorvaldsens Museum, www.thorvaldsensmuseum.dk

Nkọwa ngwaahịa ahaziri ahazi

Nkewa ngwaahịa: ezi nka mmeputakwa
Mmeputakwa: dijitalụ mmeputakwa
Production usoro: Mbipụta UV / dijitalụ
Production: emere na Germany
Ụdị ngwaahịa: a na-achọ
Ihe eji eme atụmatụ: ime ụlọ, ịchọ mma mgbidi
Nhazi: usoro odida obodo
Oke akụkụ onyonyo: 1.2: 1
Akụkụ onyonyo pụtara: ogologo bụ 20% ogologo karịa obosara
Ụdị ihe dị iche iche dị: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 60x50cm - 24x20", 120x100cm - 47x39"
Nhọrọ nha nke mbipụta aluminom (aluminium dibond material) 60x50cm - 24x20", 120x100cm - 47x39"
Igwe onyonyo: enweghị etiti

Ihe dị mkpa: We try in order to describe the art products as closely as possible and to demonstrate them visually in our shop. However, the pigments of the printing material, as well as the printing can differ somehwat from the image on your device's screen. Depending on your settings of your screen and the nature of the surface, colors can unfortunately not be printed 100% realistically. Considering that all the fine art prints are processed and printed manually, there might also be slight variations in the motif's exact position and the size.

© Nchekwa ikike nwebisiinka - Artprinta (www.artprinta.com)

Ị nwere ike na-amasị

Anya na nso nso a