Peter Cornelius, 1825 - Ogige nke Kraịst - ọmarịcha nka

Nchịkọta nke ihe osise a karịrị afọ 190

The nkà nke oge a nka nka Ebi nke Kraịst was made by the artist Peter Cornelius. The 190 years old version of the piece of art was painted with the size 34,0 x 47,1 cm. Mmanụ na osisi was used by the European painter as the technique for the piece of art. Today, the artpiece is included in the Ụlọ ihe ngosi nka nke Thorvaldsens collection, which is a single-artist museum dedicated to the art of Danish neoclassicistic sculptor Bertel Thorvaldsen. With courtesy of - Peter Cornelius, The Entombment of Christ, 1825, Thorvaldsens Museum, www.thorvaldsensmuseum.dk (ọha na eze).Ebe E Si Nweta nke ihe osise:. N'elu nke ahụ, nhazi nke mmepụta dijitalụ na-abanye odida obodo usoro na oke nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. The painter Peter Cornelius was a European artist, whose artistic style was mainly Romanticism. The German painter was born in the year 1783 in Düsseldorf, Northrhine-Westfalia, Germany and deceased at the age of 84 n'afọ 1867.

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• Mbipụta kwaaji: A printed canvas, which shall not be confused with a canvas painting, is a digital image printed on an industrial printer. It produces the exclusive look of three dimensionality. A canvas print of your favorite artpiece will allow you to transform your into a large size collection piece like you know from art galleries. The great advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up your Canvas print without the support of any wall-mounts. Canvas prints are suitable for all types of walls.
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Nkọwa ihe osise izizi sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - Thorvaldsens Museum - www.thorvaldsensmuseum.dk)

The picture is a recreation of Raphael’s The Deposition from 1507 in the Galleria Borghese at Rome. Raphael was considered the greatest artist of all time, but Cornelius, who arrived in Rome in 1811 and joined Overbeck and the Nazarenes, was nevertheless aware that even the art of the incomparable Raphael did not perhaps in every respect live up to the demand for piety that had applied in the Middle Ages and which the Nazarenes were working to re-establish. Whereas Raphael’s version is characterised by almost heroic action, Cornelius allows a simple, quiet sorrow to descend on his scene. Cornelius was born at Düsseldorf and left Rome in 1819 because he had been appointed Director of the Academy of Fine Arts in his native city. At the same time he was given the commission by Ludwig of Bavaria to decorate the Glyptotek at Munich, and in 1824 he was appointed Director of the Academy there. His importance for German painting in the 19th century was enormous.