Hans Hoffmann, 1585 - Oke bekee n'ime ọhịa - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ngosipụta ihe osise sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka J. Paul Getty - Ụlọ ihe ngosi nka nke J. Paul Getty)
Wikimedia nkịtị
Nibbling on a leaf pulled from a stalk of Lady's Mantle, an alert hare sits at the edge of a pine forest. Unlike the darkness one would expect to find in a forest, Hans Hoffmann painted a theatrically illuminated scene. Each plant and insect--snail, cricket, beetle--is seen in vivid detail. The finely wrought leaves of the thistle, the sprawling fronds of a plantain, and the bright blue flowers of the Hare Bell attest to Hoffmann's meticulous treatment of the subject. In fact, none of these plants could have coexisted in the natural world. Hoffmann imaginatively combined numerous individual nature studies in a single painting.
Hoffmann's golden-brown hare is based on Albrecht Dürer's famous and influential watercolor which, much like his Stag Beetle, shows a hare against a plain ground. Hoffmann had seen Dürer's hare while in Nuremburg. Later, when he went to work in the court of Emperor Rudolf II, he helped the Emperor acquire the watercolor for his Kunstkammer. Hoffmann's hare differs from Dürer's, however, appearing amid a striking arrangement of elegant plants and insects. At the time it was painted, this arrangement of nearly life-size subjects was entirely unique, not only within Hoffmann's body of work, but also within the tradition of German nature study.
painting by Hans Hoffmann (Museum: J. Paul Getty Museum)
Product nkọwa
A Hare in the Forest is a piece of art created by Hans Hoffmann in 1585. The 430 year-old original of the masterpiece measures the size: 62,2 × 78,4 cm (24 1/2 × 30 7/8 na) ma were ihe osise ese Usoro mmanụ na panel. N'ịga n'ihu, ọrụ nka a gụnyere na Ụlọ ihe ngosi nka nke J. Paul Getty nchịkọta nka dijitalụ. Site n'ikike nke Ụlọ ihe ngosi nka nke J. Paul Getty (ikike ngalaba ọha).Furthermore, the work of art has the creditline: . Moreover, alignment of the digital reproduction is landscape with an image ratio of 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Hans Hoffmann was a male painter, whose art style can be attributed primarily to Mannerism. The European painter lived for 51 afọ a mụrụ na 1540 and died in 1591 in Prague, Praha, Hlavni Mesto, Czech Republic.
Nye iwu ngwaahịa ọkacha mmasị gị
N'ime ndetu ndetu ngwaahịa ị nwere ike ịhọrọ ihe na nha masịrị gị. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes referenced as a an art print on plexiglass, transforms your favorite original work of art into décor. With an acrylic glass art print sharp contrasts and also color details become more identifiable thanks to the precise tonal gradation of the print.
- Mbipụta ọla (aluminium dibbond): This is a metal print made on aluminium dibond with an impressive depth, which creates a modern impression thanks to a surface structure, that is not reflective. For your Print On Aluminum Dibond, we print your selected work of art right on the surface of the white-primed aluminum material. The white & bright parts of the artwork shimmer with a silk gloss but without any glow. The colors are luminous in the highest definition, the fine details of the print appear crisp and clear.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster is a UV printed flat canvas with a granular texture on the surface, which resembles the actual version of the artwork. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the artwork, which facilitates the framing.
- Kwaaji: A printed canvas stretched on a wood stretcher frame. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without any wall-mounts. A canvas print is suited for all types of walls.
Nchịkọta ihe nkiri
Aha onye nka: | Hans Hoffmann |
Aha utu aha: | Hoffmann Hans, Hoffman Hans, Hans Hoffmann |
okike nke onye nka: | nwoke |
Obodo onye nka: | German |
Ọrụ: | onye na-ese ihe |
Country: | Germany |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nka: | Omume |
Afọ ọnwụ: | 51 afọ |
Afọ ọmụmụ: | 1540 |
Afọ ọnwụ: | 1591 |
Ebe ọnwụ: | Prague, Prague, Hlavni Mesto, Czech Republic |
Nkọwa ahaziri nke ihe nka
Aha nke ihe nka: | "A Hare in the Forest" |
Nhazi nka: | sere |
Nhazi nka: | nka ochie |
Century: | 16th narị afọ |
Afọ nka: | 1585 |
Afọ nka: | karịa afọ 430 |
Usoro izizi: | mmanụ na panel |
Akụkụ ihe osise izizi: | 62,2 × 78,4 cm (24 1/2 × 30 7/8 na) |
Ụlọ ihe ngosi nka / ebe: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Ebe ngosi nka: | Los Angeles, California, Njikota Obodo Amerika |
Dị n'okpuru: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Banyere ngwaahịa a
Nkewa ngwaahịa: | ọmarịcha nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo |
Production: | Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Ihe eji eme atụmatụ: | ịchọ mma mgbidi, ihe ndozi ụlọ |
Nhazi nka nka: | usoro odida obodo |
Ụdị anya: | ogologo ruo obosara 4: 3 |
Ntụgharị nkọwa akụkụ: | ogologo bụ 33% ogologo karịa obosara |
Materials: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium dibond ebipụta (ihe aluminium) nha dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Igwe onyonyo: | agunyeghi |
Nkwupụta iwu: We try everything to depict the art products with as many details as possible and to illustrate them visually on the various product detail pages. However, the colors of the print materials and the printing can diverge marginally from the image on the screen. Depending on the screen settings and the condition of the surface, color pigments might not be printed as exactly as the digital version. Bearing in mind that all art reproductions are printed and processed manually, there might also be minor deviations in the size and exact position of the motif.
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