Jacopo Tintoretto, 1550 - Eserese nke nwoke - mbipụta nka mara mma

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One of Tintoretto’s finest formal portraits, this painting depicts an unknown sitter now believed to be a German or Flemish merchant living in Venice. His bowl-cut hairstyle and clean-shaven cheeks distinguish him from bearded Italian contemporaries. Seated in an X-frame Savonarola chair, he strikes a commanding presence gazing directly at the viewer. Recent conservation treatment has revealed the lively brushwork in the folds of the cloak, and analysis suggests he worked from life with assured, gestural brushwork and few changes from his initial sketch on the canvas. Tintoretto was praised by contemporaries for the prestezza, or speed, with which he captured the likeness of his sitters, lending his portraits an acute psychological presence.

The 16th narị afọ Onye na-ese ihe kere ihe osise Jacob Tintoretto in 1550. A na-ese ụdị ọrụ nka na nha: 44 3/8 x 35 inch (112,7 x 88,9 cm) ma jiri usoro ihe arụpụtara ya mmanụ na kwaaji. Ihe ọzọ, a artwork nwere ike na-ele na nchịkọta nke Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke ọdịbendị ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa. ngalaba ọha piece of art is supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of George Blumenthal, 1941. The creditline of the artpiece is the following: Onyinye nke George Blumenthal, 1941. Ndozi n'ime Eserese format na nwere akụkụ ruru nke 3: 4, which implies that the length is 25% shorter than the width. Jacopo Tintoretto was a painter from Italy, whose artistic style was primarily Mannerism. The artist lived for 76 years, born in the year 1518 na Venice, mpaghara Venezia, Veneto, Italy ma nwụọ na 1594 na Venice, Venezia Province, Veneto, Italy.

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The product dropdown menu ofers you the opportunity to pick your individual size and material. Pick your favorite size and material among the following options:

• Kwaaji: A printed canvas material mounted on a wood frame. Furthermore, a canvas generates a cosy and warm ambience. Your printed canvas of your favorite artpiece will let you turn your very own into a large collection piece as you would see in a gallery. How do I hang a canvas on my wall? The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the use of additional wall-mounts. Canvas prints are suited for any kind of wall.
• Akwụkwọ mmado na ihe kwaaji: The Artprinta poster is a printed canvas paper with a nice surface texture, that reminds the original masterpiece. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm round about the print to facilitate the framing with your custom frame.
• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true depth. The Aluminium Dibond Print is your excellent start to prints with alu. For our Aluminium Dibond print, we print your chosen artpiece right on the aluminium surface. The white and bright parts of the original artpiece shine with a silky gloss but without any glare.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The acrylic glass print, often described as a an art print on plexiglass, changes the original into wall décor. The work of art is manufactured with state-of-the-art UV direct printing technology. The special effect of this are deep and vivid color tones. The major advantage of a plexiglass fine art print is that contrasts and color details become more recognizeable because of the precise gradation in the print. The real glass coating protects your custom art print against sunlight and external influences for several decades.

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Important note: We try whatever we can in order to describe the products in as much detail as possible and to illustrate them visually. At the same time, the pigments of the print materials, as well as the imprint may differ slightly from the image on your screen. Depending on your settings of your screen and the nature of the surface, not all colors can be printed as realistically as the digital version. Because all art reproductions are printed and processed manually, there may also be slight deviations in the exact position and the size of the motif.

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