Moretto da Brescia, 1554 - The Entombment - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Background information on the art print named "The Entombment"
The Entombment was created by the mannerist painter Moretto na Brescia. The 460 year-old original version of the piece of art had the dimensions: 94 1/2 x 74 1/2 in (240 x 189,2 cm) and was painted with mmanụ na kwaaji. It can be viewed in in the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: Ụlọ ihe ngosi nka nke Metropolitan, New York, John Stewart Kennedy Fund, 1912 (ikike ngalaba ọha). Creditline of the artwork: John Stewart Kennedy Fund, 1912. In addition to this, the alignment of the digital reproduction is in portrait format with a ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Moretto da Brescia was an artist, whose artistic style can primarily be attributed to Mannerism. The Italian artist was born in 1492 ma nwụọ na afọ nke 62 n'afọ 1554.
Họrọ ihe gị
In the dropdown selection right next to the product offering you can select the size and material of your choice. Hence, we allow you to choose among the following options:
- Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true depth. The Direct Print on Aluminum Dibond is your perfect introduction to the sophisticated world of art reproductions with aluminum. For the Direct Print On Aluminum Dibond, we print your selected artpiece onto the aluminium composite white-primed surface. The bright and white parts of the original artpiece shine with a silk gloss but without the glare.
- Mbipụta kanvas: A printed canvas, not to be mistaken with a painting on a canvas, is a digital replica printed on a UV direct printer. Further, a printed canvas produces a lively, pleasing impression. A canvas print has the advantage of being relatively low in weight. That means, it is easy to hang up the Canvas print without the use of any wall-mounts. Therefore, a canvas print is suited for any kind of wall.
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The print on acrylic glass, which is sometimes described as a an art print on plexiglass, will convert the artwork into marvellous home decoration. Furthermore, it offers a good alternative option to dibond and canvas fine art prints. With an acrylic glass fine art print sharp contrasts plus painting details become identifiable with the help of the subtle gradation. Our acrylic glass protects your selected fine art print against light and external influences for many years.
- Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster is a printed flat cotton canvas paper with a granular texture on the surface. Please note, that depending on the size of the poster print we add a white margin between 2-6cm round about the print, which facilitates the framing with your custom frame.
Ihe dị mkpa: We try all that we can to describe our art products as accurate as possible and to display them visually on the product detail pages. Nevertheless, the tone of the print products, as well as the printing can differ marginally from the presentation on the device's monitor. Depending on the settings of your screen and the quality of the surface, colors may not be printed as exactly as the digital version on this website. In view of the fact that all the are processed and printed by hand, there might as well be slight variations in the motif's exact position and the size.
Ozi ederede ahaziri
Ụdị edemede: | ọrụ mgbidi |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Production usoro: | UV kpọmkwem obibi |
Ihe ngosi: | emere na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | nka mgbidi, ime ụlọ |
Ndozi onyonyo: | nhazi ihe osise |
Oke akụkụ onyonyo: | 1: 1.2 ogologo ruo obosara |
Ntụgharị asụsụ oke onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ ihe dị: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ Dibond (ihe alumnium) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | mmeputakwa na-enweghị isi |
Ozi ndabere gbasara nka nka izizi
Aha nke ọrụ nka: | "The Entombment" |
Nchịkọta nke ọrụ nka: | sere |
Category: | nka ochie |
Narị afọ nka: | 16th narị afọ |
Emepụtara n'afọ: | 1554 |
Afọ nka: | ihe karịrị afọ 460 |
Agba na: | mmanụ na kwaaji |
Nha nke ihe nka izizi: | 94 1/2 x 74 1/2 na (240 x 189,2 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | www.metmuseum.org |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, John Stewart Kennedy Fund, 1912 |
Ebe E Si Nweta: | John Stewart Kennedy Fund, 1912 |
Ozi ndabere izugbe gbasara onye na-ese ihe
aha: | Moretto na Brescia |
okike onye nka: | nwoke |
Obodo onye nka: | Italian |
Ọrụ: | onye na-ese ihe |
Mba onye si: | Italy |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Omume |
Nwụrụ anwụ: | 62 afọ |
A mụrụ: | 1492 |
Afọ nwụrụ: | 1554 |
© Nwebiisinka nke - Artprinta.com
Nkọwa mgbakwunye site na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Moretto painted this moving altarpiece just before his death for the oratory of a confraternity in his hometown. Restoration has revealed the striking contrast between the somber faces of the figures and the dawn light playing across the sky and landscape. Members of the group would have meditated on the moments following Christ’s death and thought of the piercing grief of his mother and other followers, but also of the promise of life to come. When it entered the museum, its gravity and nobility reminded one curator of the music of Bach or the poetry of Milton.