Frederic Remington, 1899 - Ndị ọkọ akụkọ ihe mere eme nke Tribe - ọmarịcha nka

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We offer a range of various materials and sizes for every product. Select your favorite size and material among the following alternatives:

• Mbipụta kwaaji: A printed canvas, not to be mistaken with a painting on a canvas, is a digital copy printed from a UV direct printer. It creates a extra impression of three-dimensionality. A printed canvas of your favorite artwork will let you turn your personal fine art print into a large size artpiece as you would see in a gallery. Canvas prints are relatively low in weight, which implies that it is easy to hang the Canvas print without extra wall-mounts. Hence, a canvas print is suited for any type of wall.
• Mbipụta nke aluminom: These are metal prints on aluminium dibond material with a true depth effect. For your Direct Print On Aluminum Dibond, we print the chosen artwork onto the aluminium white-primed surface. The colors are luminous in the highest definition, the details of the print are crisp. This UV print on aluminium is the most popular entry-level product and is a truly contemporary way to showcase fine art prints, because it draws focus on the artwork.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes named as a plexiglass print, will change your favorite artwork into magnificient wall decoration. Our acrylic glass protects your custom art print against light and heat for up to 60 years.
• Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster is a UV printed canvas with a fine surface structure, that resembles the original version of the masterpiece. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm around the print, which facilitates the framing with a custom frame.

Ederede iwu dị mkpa: We try everything in order to describe the art products with as many details as possible and to exhibit them visually in our shop. Nonetheless, the pigments of the print materials, as well as the printing can differ slightly from the presentation on the device's monitor. Depending on the settings of your screen and the quality of the surface, colors can unfortunately not be printed 100% realistically. Because the art reproductions are processed and printed by hand, there might also be slight deviations in the exact position and the size of the motif.

Artwork depiction from the museum (© - by Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Executed around 1890, the year when the massacre at Wounded Knee effectively ended the army’s conflict with the Plains Indians, Historians of the Tribe clearly situates the glories of Native Americans in the past. In a tightly defined, darkened interior, watched over by a tribal elder in the central background, five men—their postures slumped or languid in surrender—record and reread their hieroglyphic history. At the moment of their defeat, Remington chose to depict his Native American subjects with a certain sentimentality.

Nchịkọta ihe nka nka karịrị afọ 120

Historians of the Tribe is a piece of art made by Frederic Remington. The 120 e ji nha ya mere ọmarịcha ọmarịcha afọ: 62,2 × 111,4 cm (24 1/4 × 43 7/8 na). Mmanụ na kwaaji was used by the painter as the medium of the artwork. The original artwork is inscribed with the text: signed, lower left: "Frederic Remington". Ọzọkwa, mpempe nka nwere ike na-ele na art collection nke Ụlọ ọrụ Art Chicago. Nke a masterpiece, nke bụ nke ngalaba ọha is provided with courtesy of Art Institute Chicago. Creditline of the artwork: George F. Harding Collection. Besides, the alignment of the digital reproduction is in odida obodo usoro na nwere akụkụ ruru nke 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara.

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