Johan Barthold Jongkind, 1864 - Nbanye na Port of Honfleur - ọmarịcha nka.

Ozi gbasara mbipụta nka "Entrance to the Port of Honfleur"

The piece of art was made by the artist Johan Barthold Jongkind. The over 150 a na-ese ihe mbụ dị afọ na nha: 16 5/8 x 22 1/4 na (42,2 x 56,2 cm) ewe tee ya n'etiti manu ahu n'elu kwaaji. Inscribed lower right: Jongkind 1864 was the masterpiece's original inscription. Besides, the work of art is part of the digital collection of Ụlọ ọrụ Art Chicago. The nkà nke oge a ngalaba ọha a na-enye ọrụ nka site n'ikike nke Ụlọ ọrụ Art Chicago. Tụkwasị na nke ahụ, ihe osise ahụ nwere akara kredit: Louise B. and Frank H. Woods Purchase Fund in honor of The Art Institute of Chicago Diamond Jubilee. E wezụga nke ahụ, nhazi nke mmepụta dijitalụ dị n'ime odida obodo format ya na oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Johan Barthold Jongkind was an artist, whose art style can mainly be classified as Impressionism. The painter was born in the year 1819 ma gafee na afọ nke 72 in 1891 in La Cote-Saint-Andre, Auvergne-Rhone-Alpes, France.

Artwork specifications as provided from Art Institute Chicago (© Copyright - Art Institute Chicago - www.artic.edu)

Along with Eugène-Louis Boudin (see his Approaching Storm), Johan Barthold Jongkind brought a new spirit to the painting of coastal scenes. In content, palette, and technique, the works of these two older artists played an important part in the development of Impressionism. Claude Monet knew Boudin well and adopted him as his mentor, but he claimed that it was Jongkind who “educated his eye.” Though they painted their final compositions in the studio, both Boudin and Jongkind strove to retain the freshness of their plein-air (outdoor) sketches.

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