Nicolas Bertin, 1730 - Kraịst na-asa ụkwụ ndị na-eso ụzọ Ya - ọmarịcha nka

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Nicolas Bertin was primarily a painter of religious, mythological, and allegorical subjects. Although trained in the rigorous French academic traditions, he often emulated the broader style of Titian, Paolo Veronese, and other Venetian Renaissance masters. For his depiction of Christ washing Saint Peter’s feet just after the Last Supper (John 13:4-5), Bertin created a majestic, theatrical backdrop reminiscent of those in Veronese’s pictures. Through gesture and facial expression Bertin adeptly described a range of emotions, from surprise and puzzlement to humility.

Ozi ndabere maka ọrụ nka ihe karịrị afọ 290

N’afọ 1730 na French painter Nicolas Bertin made this 18th narị afọ artwork. The version of the artpiece was painted with the absolute size: 49,5 × 72,1 cm (19 1/2 × 28 3/8 na). Oil on panel was applied by the European painter as the technique for the artwork. "Bertin (lower left, on the edge of the platform)" is the masterpiece's original inscription. Nowadays, this artwork belongs to the digital art collection of Art Institute Chicago, which is located in Chicago, Illinois, Njikota Obodo Amerika. We are glad to state that the public domain artpiece is supplied with courtesy of Art Institute Chicago. In addition to that, the artwork has the creditline: Charles H. na Mary FS Worcester mkpokọta. Nhazi nke mmepụta dijitalụ dị na odida obodo usoro na oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Nicolas Bertin was a male painter, interior designer, drawer, whose artistic style can be attributed primarily to Baroque. The artist lived for 68 years - born in the year 1668 in Paris, Ile-de-France, France and passed away in the year 1736 in Paris, Ile-de-France, France.

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In the product dropdown lists you can choose your individual material and size. The following sizes and materials are the options we offer you for individualization:

• Kwaaji: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. A canvas print is suited for all kinds of walls.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: Our poster print is a UV printed cotton canvas with a fine structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm round about the print motif to facilitate the framing with a custom frame.
• Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with a true effect of depth - for a modern look and non-reflective surface structure. The print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase art prints, since it puts all of the viewer’s attention on the image.
• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes referenced as a plexiglass print, will turn the original artwork into décor.

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Disclaimer: We try whatever we can to depict our products in as much detail as it is possible and to illustrate them visually on the product detail pages. Nonetheless, the tone of the printed materials, as well as the printing may differ marginally from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed as realistically as the digital version. Given that all fine art prints are processed and printed manually, there may as well be minor differences in the motif's size and exact position.

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