Wassily Kandinsky, 1911 - Ihe osise na Troika - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ngwaahịa nka
In 1911 Wassily Kandinsky kwuru kere ihe a nkà nke oge a ọrụ nka aha ya "Painting with Troika". The 100 year old artwork was painted with the size 27 3/8 × 38 5/16 na (69,7 × 97,3 cm) e tekwara ya na ọkara oil on cardboard; in artist's painted frame. Ihe osise a nwere ihe odide a: signed, l.l.: "Kandinsky". Kedu ihe ọzọ, enwere ike ilele ihe osise a na nchịkọta dijitalụ nke Ụlọ ọrụ Art Chicago, nke bụ otu n'ime nnukwu ụlọ ngosi ihe nka n'ụwa, na-ebukọ mkpokọta nke gafere ọtụtụ narị afọ na ụwa. Site n'ikike nke - Ụlọ ọrụ Art Chicago (ikikere: ngalaba ọha). Ihe kredit nke ọrụ nka bụ: Nchịkọta Arthur Jerome Eddy Memorial. Na mgbakwunye na nke ahụ, nhazi ahụ dị na odida obodo format na nwere akụkụ ruru nke 1.4: 1, nke na-egosi na ogologo bụ 40% ogologo karịa obosara.
Họrọ ihe ị chọrọ
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:
- Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a UV printed canvas paper with a slight finish on the surface. A poster is best appropriate for putting the art print using a custom-made frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the print in order to facilitate the framing.
- Aluminom ihe eji eme ihe: These are metal prints on aluminium dibond with an outstanding effect of depth. A direct Aluminium Dibond Print is the excellent start to art prints on aluminum. For your Aluminium Dibond option, we print your favorite artwork onto the aluminium composite surface. The bright & white parts of the original work of art shine with a silky gloss but without the glare.
- Kwaaji: A UV printed canvas material applied on a wooden stretcher frame. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without any wall-mounts. Therefore, a canvas print is suited for any kind of wall.
- Ugogbe acrylic ebipụtara: A glossy acrylic glass print, which is often described as a an art print on plexiglass, changes your favorite original into décor. Beyond that, the acrylic glass fine art print offers a distinct alternative to canvas or aluminium dibond fine art prints.
Ihe dị mkpa: We try our utmost to depict the products as accurate as it is possible and to exhibit them visually in our shop. Nevertheless, the tone of the printing material and the print result can vary marginally from the representation on the screen. Depending on your screen settings and the nature of the surface, colors might not be printed 100% realistically. Because all fine art prints are processed and printed manually, there may also be minor deviations in the motif's exact position and the size.
Tebụl ihe
Bipụta ụdị ngwaahịa: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | UV kpọmkwem obibi |
Mmalite ngwaahịa: | German mere |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa a chọrọ: | nchịkọta nka (mmeputakwa), ụlọ ọrụ mbipụta nka |
Ntuziaka onyonyo: | usoro odida obodo |
Oke akụkụ onyonyo: | ogologo: obosara 1.4:1 |
Nsonaazụ: | ogologo bụ 40% ogologo karịa obosara |
Nhọrọ akụrụngwa: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 70x50cm - 28x20" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhazi nke nnomi nka: | enweghị etiti |
Data ndabere na ọrụ nka
Aha nke ihe nka: | "Painting with Troika" |
nhazi ọkwa: | sere |
Category: | nkà nke oge a |
Century: | 20th narị afọ |
Emepụtara n'afọ: | 1911 |
Ogologo afọ nka nka: | ihe karịrị 100 afọ |
Agba na: | oil on cardboard; in artist's painted frame |
Akụkụ izizi: | 27 3/8 × 38 5/16 na (69,7 × 97,3 cm) |
Akara aka nka nka: | signed, l.l.: "Kandinsky" |
Ụlọ ihe ngosi nka / ebe: | Ụlọ ọrụ Art Chicago |
Ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
website: | www.artic.edu |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
Ebe kredit nke ọrụ nka: | Nchịkọta Arthur Jerome Eddy Memorial |
Nchịkọta ihe nkiri
Aha onye nka: | Wassily Kandinsky kwuru |
Obodo onye nka: | Russian |
Ọrụ: | onye na-ese ihe |
Obodo onye nka: | Russia |
Nkewa onye nka: | omenkà nke oge a |
Ndụ: | 78 afọ |
Afọ ọmụmụ: | 1866 |
Nwuru: | 1944 |
Ebe ọnwụ: | Neuilly-sur-Seine, France |
© Nwebiisinka nke, Artprinta.com
Supplemental information by Art Institute Chicago website (© - by Art Institute Chicago - Ụlọ ọrụ Art Chicago)
Vasily Kandinsky, along with Franz Marc, Gabriele Münter, and Alexei Jawlensky, were members of the Blue Rider, a loose alliance of artists based in Munich. Although these artists did not have a common style, they did share a belief in the symbolic and spiritual importance of forms and colors and their effect on emotions and memories. The Blue Rider also promoted a spontaneous, intuitive approach to painting and looked to non-Western, European medieval, and folk art traditions for inspiration. In this picture, the troika, a horse-drawn sled from Kandinsky’s native Russia, and the hand-painted frame, which he made especially for this work, speak to the powerful impact of these sources on the artist.