Colyn de Coter, 1495 - Nwa agbọghọ na-amaghị nwoke na nwa okpueze nke ndị mmụọ ozi - mbipụta nka mara mma

Nkọwa si Art Institute Chicago (© Nwebiisinka - nke Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Colyn de Coter directed a workshop in Brussels well into the 16th century, but his style and subjects reflect the traditions of the great 15th-century Netherlandish painters Robert Campin, Jan van Eyck, and Rogier van der Weyden. Here the well-appointed, bourgeois interior underscores Christ’s humanity, even as angels crown the Virgin as the Queen of Heaven. Like his predecessors, De Coter used details of the setting to emphasize both the human and divine aspects of Christ’s nature. Thus, the lion carved on the arm of Mary’s chair alludes to the biblical throne of Solomon, and the prayer inscribed on the hem of her cloak hails her as "mother of the king of angels." The somewhat claustraphobic treatment of space reflects de Coter’s own style.

Nkọwa ngwaahịa

Ọ bụ ya kere ihe osise a Colyn de Coter. The artwork was painted with the size: 151,9 × 88,6 cm (59 13/16 × 34 7/8 in) Painted surface: 150 × 86,8 cm (59 1/16 × 34 1/8 in). Mmanụ na panel was used by the Dutch artist as the technique for the work of art. The original artpiece has the following text as inscrption: inscribed: ORAPR[O]NObISA / AVEREGINA... / CELOROM [sic]MATERREGISANGVLO / RVM (on hem of the Virgin’s mantle). Ọzọkwa, mpempe nka a dị na nchịkọta nke Ụlọ ọrụ Art Chicago, nke bụ otu n'ime nnukwu ụlọ ngosi ihe nka n'ụwa, na-ebukọ mkpokọta nke gafere ọtụtụ narị afọ na ụwa. Site n'ikike nke Art Institute Chicago (nwere ikike: ngalaba ọha). The creditline of the artwork is the following: Mr. and Mrs. Martin A. Ryerson Collection. Besides, the alignment is Eserese na oke nke 9: 16, nke pụtara na ogologo bụ 45% mkpụmkpụ karịa obosara.

Ihe ebipụta nka nke ọma ị nwere ike ịhọrọ:

Na menu ndọpụta ngwaahịa ị nwere ike họrọ ngwa na nha nke nhọrọ gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster is a printed canvas paper with a slight texture on the surface, that resembles the original version of the masterpiece. It is ideally designed for framing the art print with the help of a customized frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the painting to facilitate the framing with your custom frame.
• Glass acrylic ebipụtara (nke nwere ezigbo mkpuchi iko n'elu): The acrylic glass print, which is sometimes named as a print on plexiglass, will transform your favorite artwork into stunning décor and is a viable alternative option to dibond or canvas fine art prints. Your own replica of the work of art will be custom-made with state-of-the-art UV direct printing technology. This has the effect of rich and stunning colors. Our acrylic glass protects your chosen art print against sunlight and external influences for decades.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with an outstanding depth. For the Direct Aluminium Dibond option, we print your favorite artwork on the surface of the aluminum. The bright & white parts of the original work of art shimmer with a silk gloss but without any glow. This print on aluminium is the most popular entry-level product and is an extremely sophisticated way to display art prints, because it draws focus on the image.
• Kwaaji: The canvas direct print is a printed cotton canvas stretched on a wood stretcher. A printed canvas of this artwork will give you the opportunity of transforming your into a large artpiece like you know from art galleries. How can I hang a canvas print on the wall? Canvas prints are relatively low in weight, which means that it is quite simple to hang your Canvas print without extra wall-mounts. Therefore, a canvas print is suitable for all types of walls.

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Nkwupụta iwu: We try in order to depict the art products in as much detail as possible and to display them visually in our shop. However, the tone of the printing material, as well as the print result can vary to a certain extent from the image on the device's monitor. Depending on the screen settings and the condition of the surface, color pigments might not be printed 100% realistically. Bearing in mind that all the are printed and processed manually, there may also be minor variations in the motif's size and exact position.

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