Ercole de'Roberti, 1496 - Nwa agbọghọ na-amaghị nwoke na nwa - mbipụta nka mara mma

29,99 €

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Ozi nka sitere na Art Institute Chicago (© Nwebiisinka - nke Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Ercole de’ Roberti worked in Bologna and, from 1486, in Ferrara, where he was associated with the brilliant court of the ruling Este family. Whereas his earlier works possess an almost frenzied emotional intensity, this late Virgin and Child is calmer, expressing a gentler melancholy. Roberti’s mannerisms are nevertheless evident in the exaggerated, slender fingers of the Virgin, which seem to barely hold the Christ Child, even as they press into his flesh.

Ozi nka

Aha nke ihe nka: "Vergin na Nwa"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
Time: 15th narị afọ
Emepụtara na: 1496
Afọ nka: karịa afọ 520
Agba na: tempera ma ọ bụ mmanụ na panel
Akụkụ nke nka nka izizi: 52 × 35 cm (20 1/2 × 13 3/4 na)
Ụlọ ihe ngosi nka: Ụlọ ọrụ Art Chicago
Ebe ngosi nka: Chicago, Illinois, Njikota Obodo Amerika
Ụlọ ihe ngosi nka URL: www.artic.edu
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ọrụ Art Chicago
Ebe E Si Nweta: Charles H. na Mary FS Worcester mkpokọta

Banyere onye na-ese ihe

aha: Ercole de'Roberti
Obodo onye nka: Italian
Ọrụ: onye na-ese ihe
Country: Italy
nhazi ọkwa: nna ukwu ochie
Oge ndu: 41 afọ
A mụrụ: 1455
Afọ ọnwụ: 1496

Nkọwapụta ngwaahịa

Ụdị edemede: ọmarịcha nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro nhazi: Mbipụta UV / dijitalụ
Ihe ngosi: German mmepụta
Stockdị ngwaahịa: mmepụta ihe na-achọ
A na-atụ aro iji ngwaahịa eme ihe: ihe ndozi ụlọ, mgbidi gallery
Nhazi nke ihe nka: nhazi ihe osise
Oke akụkụ: 2: 3
Nsonaazụ: ogologo bụ 33% mkpụmkpụ karịa obosara
Ụdị ihe dị iche iche: ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Nhazi mbipụta nka: adịghị

Ihe di

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes labelled as a print on plexiglass, will transform your favorite original work of art into magnificient décor and offers a distinct alternative to canvas or aluminium dibond art prints. Your favorite work of art is being custom-made with the help of state-of-the-art UV direct print technology. The great advantage of an acrylic glass art print is that contrasts plus smaller artwork details will be exposed with the help of the granular gradation. The real glass coating protects your chosen art print against light and external influences for many years to come.
  • Kwaaji: The printed canvas, which should not be mistaken with a real canvas painting, is a digital copy applied directly on cotton canvas fabric. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang the Canvas print without the support of any wall-mounts. That is why, canvas prints are suited for all kinds of walls.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster is a printed canvas with a slight finish on the surface. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the artwork to facilitate the framing with a custom frame.
  • Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive depth. For your Direct Aluminium Dibond print, we print the work of art onto the aluminium composite white-primed surface.

Ozi ndabere ngwaahịa

In the year 1496 Ercole de'Roberti made the work of art. The original measures the size: 52 × 35 cm (20 1/2 × 13 3/4 na). Tempera or oil on panel was applied by the European artist as the technique for the painting. Besides, this piece of art forms part of the Ụlọ ọrụ Art nke Chicago nchịkọta nka dijitalụ dị na Chicago, Illinois, Njikota Obodo Amerika. Site n'ikike nke Art Institute Chicago (nwere ikike - ngalaba ọha). Furthermore, the work of art has the creditline: Charles H. and Mary F. S. Worcester Collection. Furthermore, alignment is Eserese na a akụkụ ruru nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara.

Important note: We do our utmost in order to describe the art products as accurate as possible and to demonstrate them visually. Nevertheless, the colors of the printing material and the print result might vary marginally from the image on your device's screen. Depending on the screen settings and the nature of the surface, not all colors are printed as realistically as the digital version shown here. Given that all art reproductions are printed and processed manually, there may also be slight variations in the exact position and the size of the motif.

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