Giambattista Tiepolo, 1745 - Armida gbahapụrụ Rinaldo - ọmarịcha nka.

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a nka ochie mpempe nka na aha Armida Abandoned by Rinaldo onye na-ese ihe kere ya Giambattista Tiepolo n'afọ 1745 270 a na-ese masterpiece dị afọ na nha: 73 1/2 × 102 1/8 n'ime. Oil on canvas was applied by the European painter as the technique for the artpiece. Furthermore, the piece of art is in the the collection of Art Institute Chicago, which is located in Chicago, Illinois, Njikota Obodo Amerika. With courtesy of - Art Institute Chicago (licensed: public domain). : Bequest of James Deering. In addition to that, the alignment is in odida obodo format ya na oke akụkụ nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara.

Họrọ ihe ị ga-achọ inwe

Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ nha na akụrụngwa masịrị gị. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive depth. For your Print On Aluminum Dibond, we print your chosen work of art right onto the aluminium composite white-primed surface. The bright and white components of the artpiece shine with a silk gloss but without the glare. Colors are luminous, details are crisp and clear, and there’s a matte look that you can literally feel. This print on aluminium is one of the most demanded entry-level products and is a modern way to display art, since it puts 100% of the viewer’s attention on the artwork.
• Mbipụta kanvas: The canvas print, not to be mistaken with a painting on a canvas, is a digital copy printed directly on cotton canvas. A canvas has the particular look of three-dimensionality. What is more, printed canvas creates a homelike and pleasing effect. Your canvas print of this artpiece will let you turn your art print into a large artwork. How do I hang a canvas print on my wall? The advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang the Canvas print without any wall-mounts. Canvas prints are suitable for all kinds of walls.
• Bipụta akwụkwọ mmado n'ihe kwaaji: The poster print is a printed cotton canvas paper with a slight surface structure. It is particularly appropriate for putting the art print with a special frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm around the print motif in order to facilitate the framing with your custom frame.
• Ihe odide acrylic glass: An print on acrylic glass, which is often labelled as a plexiglass print, will transform your favorite original work of art into marvellous wall décor. Your favorite artwork is being custom-made with the help of state-of-the-art UV print machines. This makes impressive, rich color tones. With an acrylic glass art print sharp contrasts and artwork details will be visible with the help of the precise gradation. Our real glass coating protects your custom fine art print against light and external influences for up to six decades.

Disclaimer: We try our best to describe our art products as clearly as possible and to illustrate them visually on the respective product detail pages. At the same time, the pigments of the printed materials, as well as the print result might diverge somehwat from the representation on your monitor. Depending on the screen settings and the nature of the surface, not all color pigments are printed 100% realistically. Given that all the are processed and printed by hand, there might also be minor differences in the exact position and the size of the motif.

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Artwork information from Art Institute Chicago (© - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

The third scene from Giovanni Battista Tiepolo’s brilliant suite of decorations for a room in the Venetian palace of the Cornaro family, this painting shows the emotional climax of the story of Rinaldo and Armida. The knight Rinaldo has been persuaded by his companions, Carlo and Ubaldo, to renounce the love of the beautiful sorceress Armida. The gazes of the figures express the tension of the moment. Bareheaded and pensive, Rinaldo has taken up his arms again and appears to hesitate as the older knights gesture toward the boat that will carry them back to the crusader army. Armida tries vainly to detain him with her imploring gaze and provocatively bare, outstretched leg.