Nna-ukwu nke akụkọ ihe mere eme Friderici et Maximiliani, 1510 - Ọmụmụ ọmụmụ - ọmarịcha nka.

This classic art work of art was made by the painter Master of the Historia Friderici et Maximiliani n’afọ 1510. Ọrụ nka nwere nha: 44 5/8 × 29 3/16 in (111,4 × 74,1 cm) Painted surface: 43 5/8 × 28 5/16 in (110,8 × 73,5 cm). Mmanụ na panel was applied by the Austrian artist as the medium of the work of art. Furthermore, the piece of art is included in the digital collection of Ụlọ ọrụ Art Chicago. Ihe osise a, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ọrụ Art Chicago. Tụkwasị na nke ahụ, ihe osise ahụ nwere akara kredit: Ụgwọ nke ụlọ ọrụ Wilson L. Mead Fund. The alignment is in portrait format with a ratio of 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara.

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The product dropdown menu provides you with the chance to choose your favorite size and material. The following options are available for individualization:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, often referenced as a UV print on plexiglass, will convert an original artwork into beautiful home decoration. In addition, it offers a distinct alternative option to canvas or aluminium dibond prints. The work of art will be custom-made with the help of modern UV direct print machines. The great benefit of an acrylic glass print is that contrasts as well as smaller artwork details become identifiable due to the subtle tonal gradation. Our plexiglass with real glass coating protects your chosen art replica against sunlight and external influences for up to six decades.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster is a printed canvas paper with a nice structure on the surface. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the artwork, which facilitates the framing with a custom frame.
• Mbipụta nke aluminom: An Aluminium Dibond print is a print with an impressive depth, creating a contemporary look thanks to a surface , which is not reflective. The bright and white parts of the original work of art shine with a silky gloss, however without the glare. The colors of the print are luminous, fine details of the print appear crisp, and you can feel the matte appearance of the fine art print.
• Kwaaji: The UV printed canvas stretched on a wood stretcher frame. Furthermore, a canvas print creates a charming, positive look. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up the Canvas print without the help of extra wall-mounts. Canvas prints are suitable for all kinds of walls.

Disclaimer: We try everythig possible in order to describe our art products as closely as possible and to display them visually. Please keep in mind that the pigments of the printed materials, as well as the print result can vary marginally from the image on your monitor. Depending on the settings of your screen and the nature of the surface, color pigments may not be printed one hundret percent realistically. Given that all art prints are processed and printed by hand, there may as well be minor differences in the size and exact position of the motif.

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Nkọwa zuru oke sitere na ụlọ ngosi nka (© Nwebiisinka - nke Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Once thought to be by the young Albrecht Altdorfer, this painting is instead the work of a painter named after a winged altarpiece in the town of Pulkau, near the Austrian and Moravian border. Though the artist takes his name from the Pulkau altarpiece, he was probably active in Vienna. Like other loosely associated South German and Austrian artists of the early 16th century, who are now grouped together as the Danube School, the Master of Pulkau used exuberant natural forms to give a heightened emotional quality to his work. In this altarpiece wing, the swirling vegetation, excited angels, and oversized Virgin and animals direct the viewer’s attention to the vulnerable Christ Child, who is the focus of adoration.