Samuel Jones, 1819 - Mgbakọ nke Ụlọ Nzukọ Masonic, Chestnut Street, Philadelphia, Pennsylvania - mbipụta nka mara mma.

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On March 9, 1819, Masonic Hall, built just 8 years earlier, burned to the ground. A Philadelphia publisher commissioned artists Samuel Jones and John Lewis Krimmel to create a composition of the fire’s devastation for distribution as a print (etched by John Hill). Circulation of such sensational events was an early 19th-century means of broadcasting news, expanding the reach of fine arts, and making a profit. Jones painted this work, which served as a study for the print. Krimmel, the nation’s first great genre painter, was hired to refine and amplify the figural scene in the foreground. As the print’s composition reveals significant changes to the figures, it is unknown if Krimmel executed any of the figures here, or if he developed his designs wholly apart from this painting.

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In the dropdown selection next to the product you can pick the size and materialaccording to your individual preferences. You can choose among the following product customization options:

• Ihe odide acrylic glass: An acrylic glass print, often denoted as a plexiglass print, will transform your favorite artwork into marvellous décor and forms a good alternative to aluminium and canvas prints. Your work of art will be custom-made with state-of-the-art UV direct print technology. The image effect of this are stunning, rich colors. The plexiglass with real glass coating protects your chosen art print against light and external influences for many years to come.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster print is a UV printed canvas with a fine surface texture. It is best used for placing your art copy in a customized frame. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the print motif, which facilitates the framing.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with an impressive depth - for a modern look and non-reflective surface. Colors are luminous, the fine details appear very clear, and there’s a matte look that you can literally feel.
• Mbipụta kwaaji: The printed canvas, which shall not be confused with a canvas painting, is a digital replica printed on an industrial printing machine. How do I hang a canvas print on my wall? Canvas Prints have the advantage of being relatively low in weight. This means, it is easy to hang the Canvas print without the help of extra wall-mounts. Because of thatcanvas prints are suited for any kind of wall.

Nkọwa ngwaahịa

N'elu 200 eserese afọ Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania e sere ya Samuel Jones. The 200 year-old original of the artpiece measures the size: 48,4 × 60 cm (19 1/6 × 22 1/6 na). Mmanụ na mahogany panel was used by the painter as the technique for the masterpiece. It belongs to the art collection of Art Institute Chicago. With courtesy of - Ụlọ ọrụ Art Chicago (ikikere: ngalaba ọha). Ebe kredit nke ọrụ nka: Restricted gift of Wesley M. Dixon Jr., Jamee J. and Marshall Field, Gloria and Richard Manney, Brooks and Hope B. McCormick Foundation, Mrs. Philip D. Sang, and Jeffrey Shedd; gift of Emily Crane Chadbourne, Leon Mandel, Stella Manheimer, Vena F. Schaaf, and Celia Schmidt by exchange; the Edward E. Ayer, Marian and Samuel Klasstorner, and A.A. McKay funds. The alignment of the digital reproduction is in landscape format with an aspect ratio of 1.2 : 1, which means that ogologo bụ 20% ogologo karịa obosara.

Ihe dị mkpa: We try all that we can in order to describe our products as precisely as possible and to showcase them visually. Still, the tone of the print products, as well as the printing can vary slightly from the image on your screen. Depending on your settings of your screen and the nature of the surface, colors might not be printed 100% realistically. Considering that all our fine art prints are processed and printed by hand, there might as well be minor variations in the motif's exact position and the size.

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