Thomas Birch, 1812 - Njide nke Tripoli site na Enterprise - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
What does the website of the Art Institute Chicago say about the 19th century artwork created by Thomas Birch? (© Copyright - by Art Institute Chicago - Ụlọ ọrụ Art Chicago)
At the turn of the 19th century, conflict arose between the United States of America and the North African Barbary State of Tripoli. President Thomas Jefferson refused to continue to pay tribute or ransom to Tripoli to prevent the pirating of American merchant ships sailing in the Mediterranean Sea. Jefferson dispatched the American ship Enterprise to the Tripolitan waters as a sign of resistance just as Tripoli increased its tribute demands and declared war against the United States. Thomas Birch, an early specialist in maritime painting, captured the battle between the Enterprise and a Tripolitan cruiser in the Mediterranean’s dark, violent waters. The break in the clouds sheds light on this conflict and illuminates Birch’s fine details and precise rendering of these ships.
a nkà nke oge a artpiece "Capture of the Tripoli by the Enterprise" was created by the master Thomas Birch in 1812. Nke mbụ dị ihe karịrị afọ 200 tụrụ nha: 45,1 × 65,1 cm (17 3/4 × 25 5/8 na) and was manufactured with the medium oil on canvas. It was inscribed with the following text: on back: "Capture of the Corsair Tripoli by the / Enterprise under Sterrett and Porter / Off Malta August 1803 / T. Birch, Pinxit.". Furthermore, this piece of art belongs to the Art Institute Chicago's digital collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of: Ụlọ ọrụ Art Chicago (ngalaba ọha). Ebe kredit nke ọrụ nka: Site na tupu nnata Charles H. na Mary FS Worcester mkpokọta. What is more, the alignment of the digital reproduction is landscape and has a ratio of 4 : 3, which means that the length is 33% longer than the width.
Nye iwu ihe onwunwe nke nhọrọ gị
In the dropdown menu next to the product you can select the material and size of your choice. Pick your favorite size and material among the subsequent choices:
- Mbipụta enyo acrylic: A glossy print on acrylic glass, which is sometimes described as a print on plexiglass, changes your favorite original work of art into gorgeous décor. Your artwork is manufactured with the help of modern UV direct print technology.
- Metal (aluminium debond mbipụta): This is a metal print manufactured on aluminium dibond with an outstanding effect of depth, which creates a contemporary look by having a non-reflective surface. The Aluminium Dibond Print is the best introduction to replicas on aluminum. The colors of the print are bright and luminous in the highest definition, details are crisp and clear. The direct print on aluminium is the most popular entry-level product and is an extremely modern way to showcase artworks, since it puts the viewer’s attention on the replica of the artwork.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The poster is a UV printed flat canvas paper with a nice surface texture. The printed poster is best suited for framing the art print with a custom frame. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the print to facilitate the framing with your custom frame.
- Mbipụta kanvas: The canvas direct print is a printed cotton canvas stretched on a wooden frame. Your canvas print of your favorite artwork will allow you to transform your art print into a large size artwork. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Hence, canvas prints are suited for any kind of wall.
Ozi nka ahaziri
Ihe nkiri: | Thomas Birch |
Aha ndi ozo: | Birch, Birch Thomas, Thomas Birch |
okike onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | United States |
Nkewa onye nka: | omenkà nke oge a |
Oge ndu: | 72 afọ |
A mụrụ: | 1779 |
Ebe amụrụ onye: | London, Greater London, England, United Kingdom |
Afọ ọnwụ: | 1851 |
Nwụrụ na (ebe): | Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika |
Nkọwa ihe osise
Aha nka: | "Capture of the Tripoli by the Enterprise" |
Nhazi nka: | sere |
Otu sara mbara: | nkà nke oge a |
Time: | 19th narị afọ |
Afọ nka: | 1812 |
Afọ nka: | karịa afọ 200 |
Usoro nka izizi: | mmanụ na kwaaji |
Nha izizi nka: | 45,1 × 65,1 cm (17 3/4 × 25 5/8 na) |
Akara mbinye aka: | on back: "Capture of the Corsair Tripoli by the / Enterprise under Sterrett and Porter / Off Malta August 1803 / T. Birch, Pinxit." |
Ụlọ ihe ngosi nka / ebe: | Ụlọ ọrụ Art Chicago |
Ebe ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | Ụlọ ọrụ Art Chicago |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
kreditline ọrụ nka: | Site na tupu nnata Charles H. na Mary FS Worcester mkpokọta |
Nkọwa akụkọ ahaziri ahazi
Nkewa ngwaahịa: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | mbipụta dijitalụ |
Nlụpụta: | German mere |
Stockdị ngwaahịa: | na mmepụta ihe |
Ojiji ngwaahịa: | ihe ndozi ụlọ, gallery mgbidi |
Ntuziaka onyonyo: | nhazi odida obodo |
Oke akụkụ: | ( Ogologo: obosara) 4: 3 |
Mmetụta ihe onyonyo: | ogologo bụ 33% ogologo karịa obosara |
Ngwa ngwaahịa dị: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa. |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nha aluminom dibond (ihe aluminom) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Igwe onyonyo: | adịghị |
Ozi dị mkpa: We try the best we can to depict our art products as clearly as possible and to display them visually on the respective product detail pages. Although, the tone of the print materials and the print result can vary marginally from the image on the screen. Depending on your screen settings and the nature of the surface, color pigments may not be printed 100% realistically. Because all art reproductions are processed and printed by hand, there might as well be minor differences in the motif's exact position and the size.
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