Winslow Homer, 1878 - Peach Blossoms - mbipụta nka mara mma

Nkọwa zuru oke sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Winslow Homer often depicted scenes of leisure in his early career. This painting features a young woman looking at burgeoning peach blossoms, indicating both early spring and perhaps her youth. The setting, which often recurs in Homer’s oeuvre, reflects nostalgia for a fading rural past. Contemporary critics referred to the artist’s style at this time as independent of foreign influences, suggesting an inherently American quality. However, his stylistic decisions link this work to both French and Japanese art. Impressionism inspired Homer’s use of a lighter palette, and the attention to linearity in the tree is reminiscent of Japanese calligraphy. The painting thus serves as visual evidence of the global artistic exchange of the late 19th century.

Ozi gbasara ihe a

Piich okooko osisi was painted by Winslow Homer in 1878. The 140 year-old version of the masterpiece has the following size: 33,7 × 49 cm (13 1/4 × 19 5/8 in) and was painted with the techinque mmanụ na kwaaji. Edere ihe osise izizi ya na ederede: signed, lower right, with monogram: "W H / 1878". Ọ gụnyere na art collection nke Ụlọ ọrụ Art Chicago. Obi dị anyị ụtọ ikwu na nke a ngalaba ọha a na-enye ọrụ nka site n'ikike nke Ụlọ ọrụ Art Chicago. Ihe kredit nke ọrụ nka bụ nke a: Gift of George B. Harrington. Na mgbakwunye na nke ahụ, nhazi nke mmepụta dijitalụ bụ odida obodo na oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The painter Winslow Homer was a North American artist from United States, whose style was mainly Realism. The North American painter was born in the year 1836 in Boston, Suffolk county, Massachusetts, United States and deceased at the age of 74 in the year 1910 in Prouts Neck, Cumberland county, Maine, United States.

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N'ime ndepụta ndetu ngwaahịa ị nwere ike ịhọrọ nha na ihe ị họọrọ. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Mbipụta nke aluminom: An Aluminium Dibond print is a material with an outstanding depth effect. For your Direct Aluminium Dibond option, we print the selected artpiece onto the surface of the aluminum material.
• Mbipụta akwụkwọ mmado (ihe kwaaji): A poster print is a printed flat cotton canvas with a slightly roughened surface finish. It is used for putting your art copy with the help of a personal frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm around the painting, which facilitates the framing with your custom frame.
• Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): The print on acrylic glass, often described as a plexiglass print, will turn an original artwork into lovely home décor and is a distinct alternative option to aluminium and canvas fine art replicas.
• Kwaaji: The printed canvas, not to be mistaken with a painting on a canvas, is a digital image printed onto cotton canvas material. A printed canvas of this artpiece will let you turn your into a large collection piece. Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Therefore, canvas prints are suited for all types of walls.

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Ngwaahịa a

Ihe dị mkpa: We try all that we can in order to describe the art products as accurate as possible and to illustrate them visually in our shop. Still, the colors of the printed materials, as well as the print result can differ somehwat from the image on your screen. Depending on the settings of your screen and the condition of the surface, colors may not be printed one hundret percent realistically. Because the art prints are processed and printed by hand, there may as well be slight variations in the exact position and the size of the motif.

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