Carl Larsson, 1884 - Vine - mbipụta nka mara mma

29,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

In 1884 Carl Larsson painted the 19th narị afọ eserese akpọrọ Vine. Ihe gafere 130 afọ mbụ nwere nha: Ogologo: 60 cm (23,6 ″); Obosara: 92 cm (36,2 ″) Ekebere: Elu: 103 cm (40,5 ″); Obosara: 218 cm (85,8 ″); Omimi: 13 cm (5,1 ″). It is included in the digital collection of Nationalmuseum Stockholm. This work of art, which is part of the public domain is being supplied with courtesy of Nationalmuseum Stockholm na Wikimedia Commons.Creditline of the artwork: . What is more, the alignment is landscape with a ratio of 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

Họrọ ihe kacha amasị gị

Maka mbipụta nka ọ bụla anyị na-enye nha & ihe dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta iko acrylic na-egbuke egbuke: The acrylic glass print, which is often named as a fine art print on plexiglass, will change your favorite original artwork into beautiful décor. The great benefit of a plexiglass fine art copy is that contrasts as well as image details will be visible with the help of the delicate gradation in the picture.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster print is a UV printed canvas with a nice surface structure. It is suited for framing your art print in a custom frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2 - 6cm around the artwork in order to facilitate the framing with a custom frame.
  • Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a print with a true depth, which creates a contemporary impression throuch a non-reflective surface structure. The Direct Print on Aluminum Dibond is the best introduction to fine art reproductions produced on aluminum. The bright and white parts of the artpiece shimmer with a silk gloss, however without the glare. The colors are vivid and luminous, the fine details of the print are crisp, and you can really perceive the matte appearance of the print.
  • Mbipụta kwaaji: The UV printed canvas mounted on a wooden stretcher frame. Also, a canvas print makes a cosy and enjoyable appearance. A canvas print of this artpiece will allow you to transform your fine art print into a large size artwork as you would see in a gallery. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is quite simple to hang the Canvas print without the support of extra wall-mounts. Canvas prints are suitable for any kind of wall.

Nkwupụta iwu: We try everythig possible in order to describe our art products in as much detail as possible and to illustrate them visually on the different product detail pages. Although, the pigments of the printing material and the imprint may vary somehwat from the image on your screen. Depending on your screen settings and the condition of the surface, color pigments may not be printed as realisitcally as the digital version depicted here. Considering that all the art prints are printed and processed by hand, there may also be slight differences in the motif's size and exact position.

Banyere ngwaahịa a

Ụdị edemede: ọmarịcha nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV ozugbo
Production: emepụtara na Germany
Ụdị ngwaahịa: a na-achọ
Ojiji ngwaahịa: mgbidi gallery, mgbidi ndozi
Nhazi nka nka: usoro odida obodo
Njikwa oyiyi: 3: 2
Ntụgharị nkọwa akụkụ: ogologo bụ 50% ogologo karịa obosara
Ngwa ngwaahịa dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Mbipụta aluminom (aluminium dibond ihe) dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
ụba: biko mara na ebipụta nka enweghị okpokolo agba

Nkọwa nka ahaziri

Aha nke ihe nka: "The Vine"
nhazi ọkwa: sere
Nhazi nka: nkà nke oge a
oge: 19th narị afọ
Afọ nka: 1884
Afọ nka: karịa afọ 130
Nha izizi (ọrụ nka): Ogologo: 60 cm (23,6 ″); Obosara: 92 cm (36,2 ″) Ekebere: Elu: 103 cm (40,5 ″); Obosara: 218 cm (85,8 ″); Omimi: 13 cm (5,1 ″)
Egosiputara na: National Museum nke Stockholm
Ebe ebe ngosi nka: Stockholm, Obodo Stockholm, Sweden
Weebụsaịtị ihe ngosi nka: National Museum nke Stockholm
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Nationalmuseum Stockholm na Wikimedia Commons

Ozi omenka

aha: Carl Larson
Aha ndị ọzọ: Carl Larsson, Larsson Carl Olof, Larsson Carl, Carl Olof Larsson
Gender: nwoke
Nationality: Swedish
Ọrụ onye na-ese ihe: drawer, painter, illustrator, artist, cartoonist, watercolourist, designer
Obodo obibi: Sweden
Nhazi nke onye nka: omenkà nke oge a
Ndụ: 66 afọ
A mụrụ: 1853
Ebe omuma: Stockholm, obodo Stockholm, Sweden
Nwụrụ n'afọ: 1919
Nwụrụ na (ebe): Falun, Dalarna, Sweden

Nwebiisinka © | Artprinta (www.artprinta.com)

What does the Nationalmuseum Stockholm say about the 19th century work of art made by Carl Larsson? (© Nwebiisinka - National museum Stockholm - National Museum nke Stockholm)

English: The Vine can be interpreted as a light-hearted allegory of love – the woman harvests the grapes for the wine that intoxicates the man. With his great technical virtuosity, Carl Larsson was excellently equipped to succeed in the Neo-Rococo genre, which relied to a great extent on the ability to paint with illusory brilliance. The Vine was bought by Herman Friedländer when it was shown at the Opponent Exhibition Vid Seinens strand (On the Seine River Bank) in Stockholm in 1885. Friedländer later lent it to the World’s Fair in Paris in 1889. Vinet kan tolkas som en lättsam kärleksallegori – kvinnan skördar druvorna som blir till vinet mannen berusar sig på. Med sin stora tekniska skicklighet hade Carl Larsson utmärkta förutsättningar att lyckas i nyrokokogenren som i mycket byggde på förmågan att måla med illusorisk briljans. Vinet köptes av Herman Friedländer när den visades på Opponentutställningen Vid Seinens strand i Stockholm 1885. Friedländer lånade senare ut den till Världsutställningen i Paris 1889.

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