Charles-Joseph Natoire - Osimiri na isi iyi Nymph - ọmarịcha nka
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Ngwa ngwaahịa ndị ahịa anyị nwere ike ịhọrọ
Na nhọrọ mwepu ngwaahịa ị nwere ike ịhọrọ ihe na nha masịrị gị. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:
- Kwaaji: A canvas direct print is a printed canvas mounted on a wooden stretcher. A canvas produces a extra effect of three-dimensionality. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without any wall-mounts. A canvas print is suitable for all types of walls.
- Ihe odide acrylic glass: An acrylic glass print, often referred to as a print on plexiglass, will change the original into gorgeous wall decoration. What is more, the acrylic glass print is a great alternative option to canvas or dibond prints. Your favorite work of art is printed with the help of state-of-the-art UV print machines. The special effect of this are vivid and impressive color tones. With a glossy acrylic glass fine art print sharp contrasts and small artwork details become exposed thanks to the granular gradation.
- Aluminom dibond mbipụta (ọla): This is a metal print manufactured on aluminium dibond material with an impressive depth. Colors are luminous and bright in the highest definition, fine details of the print appear clear and crisp. This print on aluminium is the most popular entry-level product and is an extremely sophisticated way to showcase art, as it puts all of the viewer’s attention on the replica of the artwork.
- Mbipụta akwụkwọ mmado (ihe kwaaji): The poster print is a UV printed canvas with a granular surface finish. It is suited for putting your art print with the help of a special frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm around the artwork, which facilitates the framing with a custom frame.
Ederede iwu: We try everythig possible to depict our products as clearly as possible and to exhibit them visually. At the same time, the colors of the printing material and the printing can diverge somehwat from the image on the screen. Depending on the settings of your screen and the condition of the surface, not all colors can be printed as realistically as the digital version shown here. In view of the fact that all the are printed and processed manually, there may also be minor variations in the exact position and the size of the motif.
Nkọwa ngwaahịa nka
onye na-ese ihe Charles-Joseph Natoire na-ese ihe nka na aha "A River and a Fountain Nymph". The original measures the size Height: 47 cm (18,5 ″); Width: 42 cm (16,5 ″) Framed: Height: 65 cm (25,5 ″); Width: 60 cm (23,6 ″); Depth: 10 cm (3,9 ″). Mmanụ na kwaaji was applied by the artist as the technique for the masterpiece. Moveover, this work of art can be viewed in in the Nationalmuseum Stockholm's collection. With courtesy of: Nationalmuseum Stockholm & Wikimedia Commons (nwere ikike: ngalaba ọha).The creditline of the artwork is the following: . Further, the alignment is in portrait format and has a side ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Charles-Joseph Natoire was a European artist, whose style was primarily Rococo. The French painter lived for 77 afọ a mụrụ na 1700 in Nimes, Occitanie, France and passed away in 1777.
Nkọwa ahaziri nke ọrụ nka
Aha nka: | "A River and a Fountain Nymph" |
Nhazi nka nka: | sere |
Usoro izizi: | mmanụ na kwaaji |
Akụkụ nke ihe osise izizi: | Ogologo: 47 cm (18,5 ″); Obosara: 42 cm (16,5 ″) Ekebere: Elu: 65 cm (25,5 ″); Obosara: 60 cm (23,6 ″); Omimi: 10 cm (3,9 ″) |
Ụlọ ihe ngosi nka: | National Museum nke Stockholm |
Ebe ngosi nka: | Stockholm, Obodo Stockholm, Sweden |
weebụsaịtị nke Museum: | www.nationalmuseum.se |
License: | ngalaba ọha |
Site n'aka: | Nationalmuseum Stockholm na Wikimedia Commons |
Product ọmụma
Nkewa edemede: | ọrụ mgbidi |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | German mere |
Stockdị ngwaahịa: | a na-achọ |
Ngwaahịa were: | mgbidi gallery, ihe ndozi ụlọ |
Nhazi nke ihe nka: | usoro eserese |
Ụdị anya: | 1: 1.2 - ogologo: obosara |
Nkọwa: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ngwa ngwaahịa dị: | Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nha aluminom dibond (ihe aluminom) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | biko mara na mmeputakwa a enweghi etiti |
Tebụl nkọwa omenkà
Aha onye nka: | Charles-Joseph Natoire |
Aha ndị ọzọ: | C. Natoire, Nattoire Charles Joseph, Natoire Charles, C. Natoir, Natoir Charles Joseph, Natoire &, Natorie President of the French Academy at Rome, Ch. Natoire, M. Nattoire, Carl Natoire, Natoire, Charles Josephe Natoire, Charles Natoire, M. Natoire, natoire chr. j., Natoire Charles Jos., ch. j. natoire, c., Charles Joseph Natoire, natoire ch., Natoir, M Natoir, Natoire Charles Joseph, Charles Joseph Francois Natoire, Charles-Joseph Natoire, Natoire Charles-Joseph, Charles J. Natoire, Nattoire |
okike onye nka: | nwoke |
Nationality: | French |
Ọrụ: | onye na-ese ihe |
Mba onye si: | France |
Ụdị nka: | Rococo |
Akwụsị: | 77 afọ |
Amụrụ n'afọ: | 1700 |
Amụrụ na (ebe): | Nimes, Occitanie, France |
Afọ nwụrụ: | 1777 |
Nwụrụ na (ebe): | Castel Gandolfo, Roma province, Lazio, Italy |
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