Axel Lindman, 1878 - The Beach na Villerville, Normandy - ọmarịcha nka

Nkọwa nke ihe nka ihe karịrị afọ 140

N'elu 140 artwork afọ nwere aha The Beach at Villerville, Normandy was created by the painter Axel Lindman. The original has the following size: Ogologo: 45,5 cm (17,9 ″); Obosara: 74,5 cm (29,3 ″) Ekebere: Elu: 66 cm (25,9 ″); Obosara: 95 cm (37,4 ″); Omimi: 7 cm (2,7 ″) ma were ihe osise ese Usoro of oil on canvas. This artpiece is included in the digital collection of National Museum nke Stockholm emi odude ke Stockholm, Obodo Stockholm, Sweden. We are glad to state that the public domain work of art is being provided - courtesy of Nationalmuseum Stockholm na Wikimedia Commons.: . N'elu nke ahụ, nhazi nke mmepụta dijitalụ na-abanye odida obodo format na nwere akụkụ ruru nke 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara.

Họrọ ụdị ihe dị iche iche ịchọrọ

Maka mbipụta nka ọ bụla anyị na-enye nha na ihe dị iche iche. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

• Kwaaji: A UV printed canvas stretched on a wooden stretcher frame. Your printed canvas of your favorite work of art will let you turn your new fine art print into a large artwork as you would see in a gallery. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without the use of additional wall-mounts. Canvas prints are suited for any kind of wall.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often described as a fine art print on plexiglass, will change your favorite original into décor. The artwork is being printed with state-of-the-art UV direct print technology. The acrylic glass protects your chosen art print against sunlight and heat for up to 6 decades.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a UV printed sheet of flat canvas with a slightly roughened finish on the surface, that reminds the actual version of the artwork. It is optimally suited for putting the art replica with a custom frame. Please note, that depending on the size of the poster we add a white margin between 2-6cm around the print motif to facilitate the framing.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are prints on metal with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is your perfect start to art replicas made with aluminum. For our Print On Aluminum Dibond, we print your chosen work of art right on the aluminium composite surface. The bright & white parts of the artwork shine with a silky gloss but without glow.

Legal note: We try what we can in order to depict the products as closely as possible and to exhibit them visually on the different product detail pages. Although, the tone of the print materials, as well as the imprint can differ slightly from the presentation on the screen. Depending on your settings of your screen and the condition of the surface, not all colors are printed 100% realistically. Considering that all the fine art prints are processed and printed manually, there may also be minor differences in the motif's size and exact position.

Tebụl ihe

Ozi ọrụ nka

Nchịkọta ihe nkiri

Enwere ikike nwebiisinka © - Artprinta (www.artprinta.com)

General information from the museum's website (© - by Nationalmuseum Stockholm - National Museum nke Stockholm)

Igbo: Ọtụtụ ndị na-ese ihe na Sweden bụ ndị gara France gara Normandy. Ụdị eserese nke Charles-François Daubigny nọchitere anya ha na-emetụta ha. Ifufe, mbara igwe na ebili mmiri nyere ihe ịma aka ọhụrụ na-ese ihe ruo mgbe ebighị ebi. N'ịgbalịsi ike ime ihe ziri ezi, ha chọrọ isiokwu ndị dị ka ala akọrọ nke nwere ahịhịa mmiri, dị ka a ga-asị na ha na-agbalị ịpụpụ onwe ha n'ihe ọ bụla a pụrụ iwere dị ka ịma mma. N'ebe ha na-eme ihe nkiri, ndị na-ese ihe na-egosikarị ndị mmadụ na-achịkọta mọsel. Ọrụ a siri ike ma dịkwa ize ndụ. Ndị inyom na ụmụaka na-emekarị ya. Flera av de svenska Frankrikeresenärerna sökte sig till Normandie. Blåsten, skyarna och tidvattnet bjöd ständigt på nya måleritekniska utmaningar. I sin strävan att uppnå en realism målade man gärna torrlagda, tångskräpiga havsstränder – som för att distansera sig från det som kunde uppfattas som vackert. I kustbilderna skildrar konstnärerna utöver själva landskapet ofta arbetet med att plocka musslor. Detta var både slitsamt och riskfyllt och utfördes ofta av kvinnor och barn.