Gabriël Metsu - Nwanyị na-akwa ákwá n'ụlọ ahịa onye oji - mbipụta nka mara mma

Kedu ihe ebipụta nka m nwere ike ịhọrọ?

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is often named as a print on plexiglass, will change your favorite original into magnificient home decoration. Your favorite artwork will be custom-made thanks to state-of-the-art UV direct print machines.
• Mbipụta kanvas: A printed canvas, which shall not be mistaken with a painting on a canvas, is a digital image printed from a UV direct printer. Canvas prints are relatively low in weight, which means that it is easy to hang up your Canvas print without additional wall-mounts. Hence, a canvas print is suited for any kind of wall.
• Metal (aluminium debond mbipụta): This is a metal print made on aluminium dibond material with an impressive depth effect. Its non-reflective surface creates a modern impression. For your Aluminium Dibond print, we print your artwork onto the aluminium white-primed surface.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster print is a UV printed canvas with a slightly rough surface finish. It is suited for framing your art replica using a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the print motif, which facilitates the framing with your custom frame.

Nkwupụta iwu: We try everythig possible to depict our products with as many details as it is possible and to demonstrate them visually. However, the colors of the print products, as well as the printing may diverge to a certain extent from the image on your device's screen. Depending on the settings of your screen and the condition of the surface, colors might not be printed one hundret percent realistically. Since all our fine art prints are processed and printed by hand, there might also be minor variations in the size and exact position of the motif.

Additional information as provided by Nationalmuseum Stockholm (© Copyright - by Nationalmuseum Stockholm - www.nationalmuseum.se)

Metsu målade ofta gråtande kvinnor utlämnade åt hotfulla hantverkare och affärsmän. Sensmoralen i motivet är att man ska akta sig för att falla i händerna på giriga ockrare. Här ses en gråtande kvinnan som är fjättrad i en stol av ett järnband och en hotfull smed som tvingar henne att underteckna ett dokument. Det har föreslagits att motivet illustrerar en scen från ett samtida skådespel i vilket den sicilianske smeden Doddus har konstruerat en magisk järnstol som han använder för att fånga olika personer, bl.a. en kvinna som sålt mat på kredit till honom. När hon kommer för att kräva in skulden blir hon fångad i stolen och tvingas skriva på ett dokument där hon avstår från sina anspråk. Historien går tillbaka på en berättelse om Vulcanus. Han tog hämnd på sin mor Juno för att hon kastat ut honom från Olympen genom att tillverka en guldstol ur vilken hon var oförmögen att resa sig.

Nchịkọta nke ngwaahịa ebipụta

Ihe osise a na-akpọ Weeping Woman in a Blacksmith’s Shop e mere site nna ukwu Gabriel Metsu. Ihe osise a tụrụ nha: Ogologo: 105 cm (41,3 ″); Obosara: 120 cm (47,2 ″) Ekebere: Elu: 128 cm (50,3 ″); Obosara: 141 cm (55,5 ″); Omimi: 9 cm (3,5 ″) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. E wezụga nke ahụ, ihe osise dị na National Museum nke Stockholm digital collection. With courtesy of: Nationalmuseum Stockholm & Wikimedia Commons (public domain license).Creditline of the artwork: . What is more, the alignment of the digital reproduction is in odida obodo format na akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara.

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