Gustave Courbet, 1872 - Okirikiri ala sitere na La Source Bleue - mbipụta nka mara mma

59,99 €

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Nchịkọta edemede

The nkà nke oge a onye omenkà mere ihe osise Gustave Courbet kwuru n'afọ 1872. Nke mbụ nwere nha: Ogologo: 82 cm (32,2 ″); Obosara: 99 cm (38,9 ″) Ekebere: Elu: 106 cm (41,7 ″); Obosara: 127 cm (50 ″); Omimi: 10 cm (3,9 ″). Mmanụ na kwaaji was used by the French painter as the technique for the masterpiece. Today, the work of art forms part of the digital art collection of Nationalmuseum Stockholm, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. We are delighted to state that the work of art, which belongs to the ngalaba ọha a na-enye ya site n'ikike nke Nationalmuseum Stockholm na Wikimedia Commons.: . Nhazi nke mmepụta dijitalụ dị na odida obodo usoro na nwere akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. Gustave Courbet was a painter, sculptor, communard of French nationality, whose art style can be classified as Realism. The Realist painter was born in the year 1819 in Ornans, Bourgogne-Franche-Comte, France and passed away at the age of 58 Na 1877 na La Tour-de-Peilz, Vaud, Switzerland.

Nkọwa sitere na Nationalmuseum Stockholm (© - nke Nationalmuseum Stockholm - www.nationalmuseum.se)

English: In his landscapes, Courbet often painted his native countryside in eastern France – as in this painting of a deep-blue spring in the region of Ornans. Courbet avoided romantic and picturesque views, favouring a more realistic and unsentimental portrayal of nature. His interest in geology is expressed in his fascination for depicting rough rock surfaces and eroding cliffs. In this painting, the hard work of man is also present – above the mouth of the cave, a woodsman is chopping down a mighty tree. I sina landskap skildrade Courbet ofta sin hembygd i östra Frankrike – så också i den här målningen av en djupblå källa i trakten av Ornans. Courbet undvek alla romantiska och pittoreska vyer för att istället skildra naturen på ett mer realistiskt och osentimentalt vis. Hans intresse för geologi kommer till uttryck i en förkärlek för skrovliga stenytor och vittrande klippor. I den här målningen framträder också det mänskliga slitet i naturen – ovanför grottöppningen syns en skogshuggare i färd med att fälla ett väldigt träd.

Data nka ahaziri

Aha nke ihe nka: "Landscape from La Source Bleue"
Nhazi nka: sere
Otu sara mbara: nkà nke oge a
Narị afọ nka: 19th narị afọ
Afọ okike: 1872
Afọ nka: gbara afọ 140
Agba na: mmanụ na kwaaji
Ogo nke ọrụ nka izizi: Ogologo: 82 cm (32,2 ″); Obosara: 99 cm (38,9 ″) Ekebere: Elu: 106 cm (41,7 ″); Obosara: 127 cm (50 ″); Omimi: 10 cm (3,9 ″)
Ụlọ ihe ngosi nka / ebe: National Museum nke Stockholm
Ebe ngosi nka: Stockholm, Obodo Stockholm, Sweden
URL webụ: National Museum nke Stockholm
Ụdị nka nka: ngalaba ọha
Site n'aka: Nationalmuseum Stockholm na Wikimedia Commons

Nchịkọta ihe nkiri

Ihe nkiri: Gustave Courbet kwuru
Aliases: Gustave Courbet, קורבה גוסטב, courbert, Courbet Gustave, Courbet Jean-Desire-Gustave, Courbet G., courbet gustav, Kurbe Gi︠u︡stav, Gust. Courbet, G. Courbet, courbet gustave, courbet g., Courbet Jean Desire Gustave, gustav courbet, Courbet
okike nke onye nka: nwoke
Obodo onye nka: French
Ọrụ: onye na-akpụ ihe, onye na-ese ihe, communard
Obodo onye nka: France
Nhazi nke onye nka: omenkà nke oge a
styles: Ihe ngosi
Akwụsị: 58 afọ
Afọ amụrụ: 1819
Amụrụ na (ebe): Ornans, Bourgogne-Franche-Comte, France
Afọ ọnwụ: 1877
Ebe ọnwụ: La Tour-de-Peilz, Vaud, Switzerland

Họrọ ihe ị ga-atụkwasị na mgbidi gị

N'ime nhọrọ ndọpụta ngwaahịa ị nwere ike ịhọrọ ngwa na nha nke nhọrọ gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta kanvas: The canvas direct print is a printed canvas mounted on a wooden stretcher. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang the Canvas print without additional wall-mounts. Canvas prints are suitable for all types of walls in your home.
  • Mbipụta enyo acrylic: An acrylic glass print, often described as a UV print on plexiglass, will transform your chosen original work of art into stunning décor. Your work of art is being made thanks to modern UV direct print machines. This has the effect of and rich color tones.
  • Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with an outstanding depth. A direct Aluminium Dibond Print is the ideal start to the sophisticated world of fine art reproductions with aluminum. The bright and white parts of the work of art shine with a silk gloss but without the glow.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster print is a printed sheet of flat canvas with a slightly rough surface finish, which reminds the actual masterpiece. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the print motif, which facilitates the framing with your custom frame.

Nkọwa akụkọ ahaziri ahazi

Nkewa ngwaahịa: ezi nka mmeputakwa
Mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: UV kpọmkwem obibi
Nlụpụta: German mmepụta
Ụdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: mgbidi mma, mgbidi gallery
Nhazi nka nka: usoro odida obodo
Oke akụkụ: ogologo: obosara - 1.2: 1
Ihe: ogologo bụ 20% ogologo karịa obosara
Nhọrọ dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 60x50cm - 24x20", 120x100cm - 47x39"
Mpempe akwụkwọ Dibọn (ihe alumnium): 60x50cm - 24x20", 120x100cm - 47x39"
Nhazi nke nnomi nka: ngwaahịa anaghị emebi emebi

Ederede iwu dị mkpa: We try whatever we can to depict the art products as clearly as we can and to illustrate them visually on the different product detail pages. At the same time, the tone of the printed materials, as well as the printing might vary slightly from the representation on your screen. Depending on the screen settings and the nature of the surface, colors might not be printed 100% realistically. Since all our art reproductions are processed and printed manually, there might also be minor deviations in the motif's exact position and the size.

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