Jean-Baptiste-Siméon Chardin - ihe ụtọ ime ụlọ - mbipụta nka mara mma

Nweta ihe ebipụta nka kacha amasị gị

Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is often named as a an art print on plexiglass, changes an original work of art into wonderful décor and makes a viable alternative to canvas and aluminidum dibond art prints. The acrylic glass protects your selected fine art print against light and external influences for between 40-60 years.
• Mbipụta ọla (aluminium dibbond): This is a metal print manufactured on aluminium dibond with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is your ideal introduction to art prints on aluminum. This direct print on Aluminum Dibond is one of the most popular entry-level products and is a truly contemporary way to display art reproductions, because it puts the viewer’s focus on the image.
• Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The Artprinta poster print is a UV printed canvas paper with a nice finish on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm around the painting, which facilitates the framing with a custom frame.
• Mbipụta kwaaji: The UV printed canvas material applied on a wood frame. Also, a canvas creates a charming and comfy effect. How do I hang a canvas print on my wall? Canvas prints are relatively low in weight. This means, it is easy to hang the Canvas print without the use of extra wall-mounts. A canvas print is suited for any kind of wall.

Nkwupụta iwu: We try all that we can in order to depict our products as exact as possible and to demonstrate them visually in our shop. Nonetheless, the colors of the print products, as well as the printing might differ marginally from the presentation on the screen. Depending on the settings of your screen and the nature of the surface, not all colors can be printed as realistically as the digital version on this website. Since all the art prints are printed and processed by hand, there may also be slight differences in the size and exact position of the motif.

Ama

Ihe osise Ihe ụtọ nke ụlọ e kere nwoke French onye na-ese ihe Jean-Baptiste-Simeon Chardin. Nke mbụ tụrụ nha: Ogologo: 42,5 cm (16,7 ″); Obosara: 35 cm (13,7 ″) Ekebere: Elu: 69 cm (27,1 ″); Obosara: 60 cm (23,6 ″); Omimi: 10 cm (3,9 ″). Mmanụ na kwaaji was applied by the French artist as the technique for the painting. Today, this work of art forms part of the Nationalmuseum Stockholm's digital art collection, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. With courtesy of - Nationalmuseum Stockholm na Wikimedia Commons (nwere ikike: ngalaba ọha).The creditline of the artpiece is the following: . Further, the alignment of the digital reproduction is portrait and has a side ratio of 1 : 1.2, which means that the length is 20% shorter than the width. Jean-Baptiste-Siméon Chardin was a male painter of French nationality, whose art style was primarily Baroque. The European artist lived for 80 afọ a mụrụ na 1699 na Paris ma nwụọ n'afọ 1779.

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