Jean-Maxime Claude, 1882 - Ndị na-agba ịnyịnya atọ n'oké osimiri - mbipụta nka mara mma

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What does the original artwork description of the Nationalmuseum Stockholm write about the work of art created by Jean-Maxime Claude? (© Nwebiisinka - nke Nationalmuseum Stockholm - National Museum nke Stockholm)

English: Jean-Maxime Claude had a long career behind him when he painted these three riders on the beach in 1882. With their backs turned to us, they regard the sunset over the sea in a tranquil, quiet moment. The painting was bought by the Swedish collector Oskar Filip Heilborn. His collection, which was donated to the Nationalmuseum in 1902, is representative of the Swedish fondness for French art at the time. It includes older realist works and more contemporary paintings, but not one single Impressionist. Jean-Maxime Claude hade en lång karriär bakom sig när han 1882 målade de tre ryttarna på stranden. Bortvända betraktar de solnedgången över havet i ett ögonblick av stillhet och tystnad. Målningen köptes av den svenske samlaren Oskar Filip Heilborn. Hans samling, som donerades till Nationalmuseum 1902, var representativ för tidens svenska uppskattning av den franska konsten. Där ingick såväl äldre realistiska verk som ett mer samtida stämningsmåleri. Men där fanns inga impressionister.

Ozi ndabere gbasara nka nka izizi

Aha nka: "Three Riders at the Sea"
nhazi ọkwa: sere
Okwu nche anwụ: nkà nke oge a
Century: 19th narị afọ
Ekepụtara: 1882
Ogologo afọ nka nka: ihe karịrị afọ 130
Usoro nka izizi: mmanụ na kwaaji
Akụkụ nke nka nka izizi: Ogologo: 41 cm (16,1 ″); Obosara: 65 cm (25,5 ″) Ekebere: Elu: 79 cm (31,1 ″); Obosara: 102 cm (40,1 ″); Omimi: 12 cm (4,7 ″)
Egosiputara na: National Museum nke Stockholm
Ebe ebe ngosi nka: Stockholm, Obodo Stockholm, Sweden
Dị n'okpuru: National Museum nke Stockholm
Licensedị ikike: ngalaba ọha
Site n'aka: Nationalmuseum Stockholm na Wikimedia Commons

Ozi ndabere izugbe gbasara onye na-ese ihe

Aha onye nka: Jean-Maxime Claude
Aliases: Max Claude, Jean Maxime Claude, Claude Jean-Maxime, Claude, Claude Jean Maxime, Claude M., Jean-Maxime Claude
okike onye nka: nwoke
Nationality: French
Ọrụ onye na-ese ihe: onye na-ese ihe
Obodo obibi: France
Otu nka: omenkà nke oge a
Nwụrụ anwụ: 80 afọ
Afọ ọmụmụ: 1824
Amụrụ na (ebe): Paris, Ile-de-France, France
Nwuru: 1904

Ngwaahịa a

Bipụta ngwaahịa: nka nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: mbipụta dijitalụ
Ihe ngosi: emere na Germany
Ụdị ngwaahịa: a na-achọ
Eji ngwaahịa emebere: ihe ndozi ụlọ, mgbidi gallery
Ntuziaka onyonyo: nhazi odida obodo
Oke akụkụ onyonyo: ogologo ruo obosara 3: 2
Mmetụta akụkụ onyonyo: ogologo bụ 50% ogologo karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: ígwè obibi akwụkwọ (aluminium dibond), akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ.
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ mbipụta aluminom: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhazi nke nka nka: biko mara na mmeputakwa a enweghi etiti

Ngwa ngwaahịa ị nwere ike isi na ya were

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Poster (akwa akwa akwa): The Artprinta poster print is a UV printed flat cotton canvas paper with a slightly rough surface structure. The print poster is ideally suited for putting the art replica using a special frame. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the painting, which facilitates the framing with a custom frame.
  • Aluminom ihe eji eme ihe: Aluminium Dibond prints are prints on metal with an impressive effect of depth. The white and bright parts of the artpiece shimmer with a silk gloss but without the glow.
  • Kwaaji: The canvas direct print is a printed cotton canvas mounted on a wood stretcher. It generates a unique impression of three dimensionality. Hanging a canvas print: A canvas print has the advantage of being low in weight. This means, it is quite simple to hang the Canvas print without the help of additional wall-mounts. Hence, canvas prints are suited for any kind of wall.
  • Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko n'elu): A glossy print on acrylic glass, which is often denoted as a UV print on plexiglass, will transform the original artwork into magnificient home décor. In addition, it forms a distinct alternative option to aluminium or canvas fine art prints. Your own copy of the work of art is manufactured thanks to state-of-the-art UV printing technology. Our plexiglass with real glass coating protects your custom art print against light and heat for many years.

Nkọwapụta ngwaahịa ebipụta

Ihe nka ọgbara ọhụrụ a kpọrọ aha Three Riders at the Sea e kere ya Jean-Maxime Claude. Akụkụ nka nwere nha ndị a: Ogologo: 41 cm (16,1 ″); Obosara: 65 cm (25,5 ″) Ekebere: Elu: 79 cm (31,1 ″); Obosara: 102 cm (40,1 ″); Omimi: 12 cm (4,7 ″). Mmanụ na kwaaji was used by the European artist as the medium of the painting. This piece of art is included in the collection of National Museum nke Stockholm na Stockholm, Stockholm County, Sweden. Site n'ikike nke Nationalmuseum Stockholm & Wikimedia Commons (nwere ikike: ngalaba ọha).In addition, the artwork has the following creditline: . What is more, the alignment is in landscape format na nwere akụkụ ruru nke 3: 2, nke na-egosi na ogologo bụ 50% ogologo karịa obosara.

Nkwupụta iwu: We make every effort in order to depict our art products as accurately as possible and to display them visually. Although, the pigments of the print products, as well as the print result may differ to a certain extent from the presentation on your monitor. Depending on your screen settings and the nature of the surface, not all color pigments are printed as exactly as the digital version. Bearing in mind that all the fine art prints are processed and printed by hand, there may also be slight differences in the motif's exact position and the size.

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