Charles Willson Peale, 1777 - Oriakụ Samuel Miffin na nwa nwa ya Rebecca Miffin Francis - ọmarịcha akwụkwọ nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Bipụta nchịkọta ngwaahịa
This over 240 year-old work of art was created by the master Charles Willson Peale. The 240 year-old work of art was painted with the size: 50 1/8 x 40 1/4 in (127 x 101,8 cm). Mmanụ na kwaaji was applied by the North American artist as the technique for the artwork. Nowadays, this artwork is included in the art collection of Museumlọ ihe ngosi nka nke Obodo. With courtesy of - The Metropolitan Museum of Art, New York, Egleston Fund, 1922 (nwere ikike: ngalaba ọha). The creditline of the artwork is the following: Egleston Fund, 1922. Moreover, alignment is Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.
Ngwa ngwaahịa a na-ahọpụta
Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with an outstanding depth effect. For your Aluminium Dibond print, we print your work of art right on the aluminium white-primed surface. The white & bright parts of the work of art shimmer with a silk gloss but without the glow. The direct UV print on aluminium is the most popular entry-level product and is a truly sophisticated way to showcase art reproductions, because it puts 100% of the viewer’s attention on the whole artwork.
- Akwụkwọ mmado na ihe kwaaji: Our poster is a UV printed canvas with a slightly roughened structure on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6 cm round about the print motif to facilitate the framing with a custom frame.
- Mbipụta kanvas: A printed canvas, not to be mistaken with a real canvas painting, is a digital copy printed on a canvas material. A canvas generates the typical effect of three-dimensionality. Your canvas of your favorite artpiece will provide you with the opportunity to transform your own art print into a large collection piece as you would see in a gallery. How do I hang a canvas print on my wall? Canvas prints are relatively low in weight, which implies that it is easy to hang your Canvas print without additional wall-mounts. That is why, canvas prints are suitable for all kinds of walls in your home.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is often described as a UV print on plexiglass, transforms your favorite original into beautiful décor and forms a great alternative option to canvas or aluminium dibond fine art replicas.
Nkwupụta iwu: We try to describe the products as closely as possible and to demonstrate them visually in our shop. Please bear in mind that the pigments of the print materials, as well as the printing can differ somehwat from the presentation on the device's screen. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed as realisitcally as the digital version depicted here. In view of the fact that the fine art prints are processed and printed by hand, there may as well be slight differences in the motif's exact position and the size.
Banyere akụkọ
Bipụta ngwaahịa: | ọmarịcha nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | German mmepụta |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ojiji ngwaahịa: | art ebipụta gallery, mgbidi ịchọ mma |
Nhazi nka nka: | nhazi ihe osise |
Njikwa oyiyi: | ogologo ruo obosara 1: 1.2 |
Ihe: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akụrụngwa: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ ebipụta aluminom: | 50x60cm - 20x24", 100x120cm - 39x47" |
Igwe onyonyo: | adịghị |
Ọrụ tebụl nka
Aha eserese: | "Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis" |
Nhazi nke ọrụ nka: | sere |
Otu sara mbara: | nka ochie |
Century: | 18th narị afọ |
Afọ nka: | 1777 |
Ogologo afọ nka nka: | ihe dị ka afọ 240 |
Usoro izizi: | mmanụ na kwaaji |
Akụkụ izizi nka: | 50 1/8 x 40 1/4 na (127 x 101,8 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Ibe weebụ: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Egleston Fund, 1922 |
Ebe E Si Nweta: | Egleston Fund, 1922 |
Ozi izugbe na onye na-ese ihe
Aha onye nka: | Charles Willson Peale |
Aliases: | Peale Charles Willson, Charles Wilson Peale, Peale, chas wilson peale, Peele Charles Wilson, chas. w. peale, Peale Charles Wilson, peale c.w., Peele, Charles Willson Peale, chas. wilson peale, peale c.w., peale charles w., c.w. peale |
okike nke onye nka: | nwoke |
Nationality: | American |
Ọrụ: | onye ndọrọ ndọrọ ọchịchị, onye na-ese ihe, onye na-ese ihe |
Obodo onye nka: | United States |
nhazi ọkwa: | nna ukwu ochie |
Oge ndu: | 86 afọ |
Amụrụ n'afọ: | 1741 |
Ebe omuma: | Chester, Queen Annes County, Maryland, Njikota Obodo Amerika |
Afọ ọnwụ: | 1827 |
Nwụrụ na (ebe): | Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika |
Ederede a bụ ikike ọgụgụ isi ma chekwaa ya site na nwebisiinka © | www.artprinta.com (Artprinta)
Original information about the work of art by the museum's website (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
Peale portrayed Mrs. Mifflin, born Rebecca Edgell, in the act of instructing her granddaughter in virtue and morals from an emblem book. The atmosphere of affectionate serenity with which the well-knit group is imbued probably indicates that Mrs. Mifflin was a contented, pleasant matron and a good mother to her three children. It also reflects Peale's own love for family life and his reverence for domestic happiness.