Hans Memling, narị afọ nke 16 - Nwa agbọghọ na-amaghị nwoke na nwa - mbipụta nka mara mma

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The infant Christ, resting in his mother’s arms, delicately raises a blossom in his left hand. Mary, dressed in a gem-edged blue robe with a red mantle, gazes serenely down at her son. The pair, framed by a fictive stone archway, are positioned as if to appear directly behind a carpet-covered ledge. This aperture device was commonly used by fifteenth-century Netherlandish painters like Hans Memling to establish a sense of connection between the viewer and the painted image. The composition of the Lehman picture is an amalgam of motifs found in Virgin and Child paintings by Memling, especially a painting now in Lisbon, and is also related to an engraving of the same subject by the Master FVB. However, despite its reliance on Memling prototypes, the Lehman Virgin and Child was probably created by an early sixteenth-century artist working in the master’s style.

This painting was created by Hans Memling. The artpiece measures the size: 15 1/16 x 11 1/8 in (38,3 x 28,3 cm); painted surface 12 3/8 x 7 15/16 (31,5 x 20,2 cm). Oil on oak panel was used by the artist as the medium of the masterpiece. Nowadays, this work of art is in the the digital collection of The Metropolitan Museum of Art, which is located in New York City, New York, Njikota Obodo Amerika. The contemporary art masterpiece, which is in the public domain is being provided with courtesy of The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975. Creditline of the artwork: Robert Lehman Collection, 1975. Further, the alignment is in Eserese format ma nwee oke nke 3: 4, meaning that the length is 25% shorter than the width. Hans Memling was a male Netherlandish, whose artistic style can mainly be classified as Northern Renaissance. The European artist lived for 64 afọ, born in 1430 in Seligenstadt, Hessen state, Germany and deceased in 1494 in Bruges, West-Vlaanderen, Flanders, Belgium.

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• Mbipụta kanvas: A canvas print is a printed cotton canvas stretched on a wooden stretcher. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without the support of extra wall-mounts. Hence, canvas prints are suited for any type of wall.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The print on acrylic glass, often named a plexiglass print, makes your chosen original into magnificient décor and forms a great alternative to dibond and canvas prints. Your own copy of the artwork will be manufactured with the help of state-of-the-art UV print machines. The effect of this are vibrant and impressive colors. The acrylic glass protects your chosen art replica against sunlight and external influences for between 40-60 years.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed cotton canvas with a slight surface finish. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the painting, which facilitates the framing.
• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with an outstanding depth - for a modern look and non-reflective surface. The Aluminium Dibond Print is the excellent start to fine art reproductions with aluminum. For your Print On Aluminum Dibond, we print the artwork onto the surface of the aluminum composite. Colors are vivid and luminous, the fine details of the print are crisp, and the print has a a matte appearance that you can literally feel. This UV print on Aluminum Dibond is one of the most popular entry-level products and is a contemporary way to showcase art, since it puts 100% of the viewer’s attention on the image.

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Ederede iwu dị mkpa: We try all that we can to describe our art products with as many details as we can and to demonstrate them visually on the product detail pages. Nevertheless, the colors of the print products and the printing can diverge to a certain extent from the representation on your screen. Depending on your screen settings and the condition of the surface, not all colors are printed as exactly as the digital version shown here. Since all the art reproductions are processed and printed by hand, there might also be minor variations in the size and exact position of the motif.

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