Hyacinthe Rigaud, 1716 - Louis XV (1710-1774) dịka nwata - mbipụta nka mara mma.

Họrọ nhọrọ ihe ebipụta nka

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): The acrylic glass print, which is often named as a UV print on plexiglass, changes the artwork into beautiful décor. In addition to that, it forms a distinct alternative option to aluminium or canvas fine art prints. The work of art is being manufactured with the help of modern UV printing machines. This creates impressive, vivid print colors. The major benefit of a plexiglass art print is that contrasts and also painting details become identifiable thanks to the very fine tonal gradation. The plexiglass protects your chosen art replica against light and external influences for many years.
• Poster (akwa akwa akwa): Our poster is a printed canvas with a slightly roughened surface finish. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6 cm round about the print motif, which facilitates the framing.
• Aluminom dibond mbipụta (ọla): This is a metal print made on aluminium dibond with a true effect of depth. Its non-reflective surface creates a contemporary impression. For the Direct Aluminium Dibond print, we print the work of art on the aluminium composite white-primed surface. The colors are vivid and luminous, the details appear crisp, and the print has a a matte appearance you can literally feel. The print on Aluminum Dibond is one of the most demanded entry-level products and is a truly modern way to showcase art, as it puts all of the viewer’s focus on the whole artwork.
• Mbipụta kanvas: A canvas print, which shall not be confused with a painting on a canvas, is a digital replica printed directly on cotton canvas. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up your Canvas print without the support of additional wall-mounts. Canvas prints are suitable for all types of walls.

Important information: We try everythig possible to depict the products as accurate as possible and to showcase them visually in our shop. Nevertheless, the pigments of the printed materials and the print result might differ to a certain extent from the image on your device's monitor. Depending on the settings of your screen and the nature of the surface, not all colors are printed one hundret percent realistically. Bearing in mind that the art reproductions are processed and printed by hand, there might as well be minor differences in the motif's size and exact position.

Ozi nka ndị ọzọ sitere na webụsaịtị ihe ngosi nka (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Louis XV succeeded to the throne of France in 1715 upon the death of his great-grandfather, Louis XIV, who had reigned for more than seventy years. The five-year-old boy was the only surviving son of Louis, duc de Bourgogne, and Marie Adélaïde de Savoie, both of whom had died of smallpox in 1712. The canvas is one of many versions of Rigaud’s first official portrait of Louis XV, which was commissioned by the regent, the duc d’Orléans, for the palace of Versailles.

Nchịkọta ngwaahịa

Nke a mpempe nka kere site nwoke artist Hyacinthe Rigaud in 1716. Nke mbụ nwere nha: 77 x 55 1/2 na (195,6 x 141 cm). Mmanụ na kwaaji was applied by the European painter as the technique for the painting. The work of art is included in the collection of Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbaso puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke: The Metropolitan Museum of Art, New York, Ịzụta, Mary Wetmore Shively Bequest, na ebe nchekwa nke di ya, Henry L. Shively, MD, 1960 (ọha na eze). Moreover, the work of art has the following creditline: Purchase, Mary Wetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1960. Furthermore, alignment of the digital reproduction is in portrait format with a side ratio of 1: 1.4, which means that the length is 29% shorter than the width. The painter Hyacinthe Rigaud was a European artist from France, whose artistic style was mainly Baroque. The artist was born in 1659 in Perpignan, Occitanie, France and passed away at the age of 84 n'afọ 1743.

Nkọwapụta nka nka

Tebụl ngwaahịa

Nchịkọta ihe nkiri

Enwere ikike nwebiisinka ©, Artprinta.com