Samuel Lovett Waldo, 1833 - Ụmụ Knapp - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi ndị ọzọ artwork from The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
The sitters are the four sons of the hide and leather merchant Shepherd Knapp (1795–1875) and his wife, Catherine Louisa Kumbel (1793–1872). They are, from left to right, Gideon Lee (1821–1875), Shepherd Fordyce (1832–1886), William Kumbel (1827–1877), and Peter Kumbel (1825–1871). Shepherd Fordyce Knapp appears to be no older than two, which would date the work to 1833 or 1834. All of the children would marry and Gideon Lee Knapp would later become the owner and manager of the Green Point Ferry. The portrait type, among the most complex and successful painted by Waldo and Jewett, is one informed by eighteenth-century English portraiture. Waldo studied in London between 1806 and 1809 and his exposure to portraits by Benjamin West, in whose studio he was an assistant, is evident.
Ozi ndabere ngwaahịa
a nkà nke oge a masterpiece called "The Knapp Children" was made by Samuel Lovett Waldo. The original measures the size - 70 x 57 1/2 in (177,8 x 146,1 cm). Mmanụ na kwaaji was used by the painter as the technique for the piece of art. Today, the artwork is included in the The Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Mrs. John Knapp Hollins, in memory of her husband, 1959 (public domain). Creditline of the artwork: Gift of Mrs. John Knapp Hollins, in memory of her husband, 1959. On top of that, alignment is Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.
Ngwa ngwaahịa nke ị nwere ike họrọ na:
Na nhọrọ ndọpụta ngwaahịa ị nwere ike họrọ nha na akụrụngwa masịrị gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The print on acrylic glass, often described as a plexiglass print, transforms the original work of art into brilliant décor. Your favorite artwork will be custom-made with the help of modern UV direct print technology. With an acrylic glass art print contrasts and image details will be more recognizeable with the help of the very fine tonal gradation.
- Metal (aluminium debond mbipụta): Aluminium Dibond prints are prints on metal with an outstanding depth. The non-reflective surface structure make a contemporary look. The white & bright components of the artpiece shine with a silky gloss but without glow. Colors are vivid and luminous in the highest definition, the details are crisp, and you can notice a matte appearance of the art print surface.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a UV printed flat canvas with a fine surface texture. It is particularly suited for framing your art replica with the help of a customized frame. Please note, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the print, which facilitates the framing with your custom frame.
- Mbipụta kanvas: A canvas direct print is a printed canvas stretched on a wood frame. It makes the plastic effect of three-dimensionality. Furthermore, a printed canvas produces a cosy and warm look. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up the Canvas print without any wall-mounts. That is why, a canvas print is suited for all types of walls.
Nchịkọta ihe nkiri
Aha onye nka: | Samuel Lovett Waldo |
Aha utu aha: | Samuel Lovett Waldo, Waldo Samuel Lovett, Waldo |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye na-ese ihe |
Mba onye si: | United States |
Nkewa onye nka: | omenkà nke oge a |
Nwụrụ anwụ: | 82 afọ |
Afọ amụrụ: | 1792 |
Ebe amụrụ onye: | Windham, Windham County, Connecticut, Njikota Obodo Amerika |
Nwuru: | 1874 |
Obodo ọnwụ: | New York City, New York State, Njikota Obodo Amerika |
Nkọwapụta nka
Aha nka: | "The Knapp Children" |
Nhazi nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Afọ nka: | 1833 |
Afọ nka: | 180 afọ |
Ihe osise izizi: | mmanụ na kwaaji |
Akụkụ nke ọrụ nka mbụ: | 70 x 57 1/2 na (177,8 x 146,1 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Gift of Mrs. John Knapp Hollins, in memory of her husband, 1959 |
Ebe E Si Nweta: | Gift of Mrs. John Knapp Hollins, in memory of her husband, 1959 |
Nkọwa ngwaahịa
Nkewa edemede: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite ngwaahịa: | German mere |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | foto mgbidi, ime ụlọ |
Ndepụta: | nhazi ihe osise |
Ụdị anya: | ogologo ruo obosara 1: 1.2 |
Oke akụkụ pụtara: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ site na: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta aluminom: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | agunyeghi |
Nkwupụta iwu: We try everythig possible in order to describe our art products in as much detail as possible and to demonstrate them visually. Although, the tone of the print materials, as well as the print result might differ slightly from the image on the device's monitor. Depending on your screen settings and the condition of the surface, colors might not be printed as exactly as the digital version depicted here. In view of the fact that all our art reproductions are printed and processed manually, there may also be minor variations in the size and exact position of the motif.
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