Amaghị aha, 1189 - Karma Amitayus, Site na Mandala nke Ninefold Amitayus - mbipụta nka mara mma.

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In 1189 onye na-ese ihe amaonye painted the artwork. The piece of art had the following size: 102 x 69 n'ime (259,08 x 175,26 cm) e tekwara ya na ọkara ịnweta pigmenti na ọla edo na akwa akwa. This artpiece belongs to the digital collection of Los Angeles County Museum of Art. We are delighted to state that the public domain artpiece is being supplied with courtesy of Los Angeles County Museum of Art (www.lacma.org).Creditline of the artwork: . Besides, the alignment of the digital reproduction is in Eserese format ya na oke nke 9: 16, nke pụtara na ogologo bụ 45% mkpụmkpụ karịa obosara.

(© - site na Los Angeles County Museum of Art - Ebe ngosi nka nke Los Angeles County)

Notes from the Curator: In twelfth-century Tibet a flourishing Buddhist religious life was dominated by theistic and faith-centered Tantric observance. It focused on salvation through codified recital of mantras, ritual dances and gestures, and special meditation. Strict codes also determined color, size, proportion, and formal details of the painted and sculpted images employed at temples and shrines to aid worship. This thanka (religious painting), one of the oldest and largest preserved outside Tibet, bears an inscription acknowledging its unusual size and stating that it was made for the lama Chokyi Gyaltsen (1112-89) for the life-attainment ceremony honoring the fulfillment of his monk's vows. The canonically prescribed colors of some of the painting's figures may have changed or been altered over time. The large central tathagata (manifestation of Buddha) sits on a lotus throne and holds a flower-filled vase. Through his attributes, gestures, and link with the lama's ceremony, scholars identify him as Amitayus, tathagata of endless life, although a green complexion usually indicates a Buddha of healing. He is flanked by two bodhisattvas (enlightened saintly beings), who stand swaying on smaller lotuses. The white one is Avalokitesvara, patron of Tibet, and the brown one, if originally red or golden, would be Maitreya, the future Buddha. Four bodhisattvas and an apotheosized monk appear on each side of the tathagata's head. Beneath his throne are three placid bodhisattvas: Avalokitesvara, Manjusri, and Vajrapani; they are flanked by two fierce protectors: Hayagriva and Acala. The work is a visualization as well as a mystical evocation of deities and saints.

Ihe ndetu sitere na onye ntinye aka: Eserese na-amaghị aha (Ebe ngosi nka: Los Angeles County Museum of Art)

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The product dropdown menu provides you with the opportunity to pick the size and material of your choice. You can choose your your favorite size and material among the following options:

• Mbipụta enyo acrylic: A glossy acrylic glass print, often named a UV print on plexiglass, will transform the original into amazing wall décor. What is more, it is a viable alternative to canvas and dibond fine art replicas. With an acrylic glass art print sharp contrasts and also color details become identifiable with the help of the subtle gradation of the picture.
• Kwaaji: The printed canvas, which should not be confused with an artwork painted on a canvas, is a digital copy applied onto canvas. The printed canvas produces a homelike and positive ambience. Canvas prints are relatively low in weight. That means, it is easy to hang your Canvas print without the help of any wall-mounts. Because of thatcanvas prints are suited for all kinds of walls.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster print is a printed canvas paper with a granular surface texture, which resembles the actual version of the work of art. It is used for putting the fine art print using a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin of around 2-6 cm around the print, which facilitates the framing with your custom frame.
• Aluminom ihe eji eme ihe: This is a metal print manufactured on aluminium dibond with a true effect of depth. For the Aluminium Dibond print, we print your chosen artwork right onto the aluminium white-primed surface. The bright parts of the work of art shimmer with a silk gloss but without glare. Colors are bright and vivid, the details of the print are clear and crisp, and the print has a a matte appearance you can literally feel.

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Ederede iwu: We try all that we can in order to describe our art products in as much detail as possible and to showcase them visually. Still, the colors of the printed materials, as well as the imprint may differ slightly from the presentation on the device's monitor. Depending on your settings of your screen and the condition of the surface, not all colors are printed as realisitcally as the digital version shown here. Because the are printed and processed manually, there might also be minor deviations in the exact position and the size of the motif.

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