Nkọwa zuru oke sitere na ụlọ ngosi nka (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Tail coiled, claws extended, and feet braced, this dragon is a powerful counterpart to the lion opposite. Medieval beasts, whether real orimaginary, were often imbued with symbolic meaning, as they are in animal fables today. It is not always possible, however, to reconstruct their specific intention in a given monument, and such beasts could be for “aesthetic delight,” as one thirteenth-century archbishop commented. The monastery from which this fresco comes was abandoned in 1841.
Nkọwa ihe nka
Aha nke eserese ahụ: | "Dragon" |
Nhazi nka: | sere |
Okwu mkpokọta: | nka ochie |
Century: | 13th narị afọ |
Emepụtara na: | 1200 |
Afọ nka: | 820 afọ |
Usoro izizi: | fresco, mounted on canvas |
Nha izizi (ọrụ nka): | Overall: 131 x 132 in (332,7 x 335,3 cm) (top panel): 83 x 132 in (210,8 x 335,3 cm) (bottom panel): 48 x 132 in (121,9 x 335,3 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | www.metmuseum.org |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Cloisters, 1931 |
Ebe E Si Nweta: | Nchịkọta Cloisters, 1931 |
Ozi ndabere na onye na-ese ihe
Ihe nkiri: | Unknown |
Ọrụ: | onye na-ese ihe |
Otu nka: | nna ukwu ochie |
Ozi ngwaahịa ahaziri
Nkewa ngwaahịa: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Nlụpụta: | emere na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ihe eji eme atụmatụ: | mgbidi mgbidi, foto mgbidi |
Nhazi nka nka: | usoro eserese |
Oke akụkụ onyonyo: | 3: 4 |
Nkọwa nha onyonyo: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Akwa mmeputakwa dị: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhọrọ Dibond (ihe alumnium) nhọrọ: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi nke nka nka: | agunyeghi |
Họrọ ihe kacha amasị gị
The product dropdown menu provides you with the possibility to choose the size and material of your choice. The following options are available for individualization:
- Kwaaji: The canvas direct print is a printed cotton canvas mounted on a wood frame. Furthermore, a printed canvas creates a lively and pleasing ambience. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without additional wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
- Ebipụta akwụkwọ mmado na ihe akwa akwa: A poster print is a UV printed flat canvas with a granular structure on the surface. Please note, that depending on the size of the poster we add a white margin of approximately 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
- Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an outstanding depth effect. A direct Direct Print on Aluminum Dibond is your perfect introduction to fine art replicas with alu. For the Print On Aluminum Dibond, we print your favorite artpiece onto the surface of the white-primed aluminum material. The white & bright components of the original work of art shimmer with a silk gloss but without any glow. The direct print on aluminium is the most popular entry-level product and is a truly sophisticated way to showcase art reproductions, since it draws attention on the replica of the artwork.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often named as a an art print on plexiglass, will turn your favorite original work of art into marvellous home décor. Your favorite artwork is being manufactured thanks to the help of state-of-the-art UV direct print machines. This creates the impression of sharp and rich colors.
The 13th narị afọ masterpiece na aha dragon onye nwe ya sere ya Unknown. Nke kariri 820 e mere ụdị izizi nke afọ dị na nha: Overall: 131 x 132 in (332,7 x 335,3 cm) (top panel): 83 x 132 in (210,8 x 335,3 cm) (bottom panel): 48 x 132 in (121,9 x 335,3 cm) ma were ihe osise ese Usoro fresco, mounted on canvas. Taa, mpempe nka a na-etolite akụkụ nke Ụlọ ihe ngosi nka nke Metropolitan collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The artpiece, which is in the ngalaba ọha a na-agụnye na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Cloisters, 1931. Ọzọkwa, ọrụ nka nwere kreditline: Nchịkọta Cloisters, 1931. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ Eserese ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.
Ozi dị mkpa: We try in order to describe the products as closely as it is possible and to demonstrate them visually. Still, the tone of the printing material and the print result can diverge marginally from the presentation on your device's monitor. Depending on the screen settings and the quality of the surface, colors might not be printed as realisitcally as the digital version depicted here. Given that the fine art prints are printed and processed manually, there may also be slight variations in the size and exact position of the motif.
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