Jean de Beaumetz, 1395 - Calvary ya na onye mọnk Carthusian - mbipụta nka mara mma.

59,99 €

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Nkọwapụta nka nka izizi sitere na Cleveland Museum of Art (© Nwebiisinka - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Jean de Beaumetz became the official court painter to the Burgundian duke, Philip the Bold, in 1376. Between 1389 and 1395 he created devotional paintings for the monks’ cells at the Chartreuse de Champmol, the monastery founded by Philip and his wife Margaret to house the ducal tombs. This panel, originally one of 26, is only one of two that have survived; the second is preserved in the Louvre in Paris. The Carthusians were intensely devoted to the Passion of Christ; particularly bloody images of the Crucifixion often decorated their cells. Isolated from one another, the monks contemplated the sacrifice of Christ (emphasized here by the presence of a Carthusian monk at the foot of the cross) creating an empathetic connection with the suffering of the Virgin who faints in the arms of the two Marys. Saint John the Evangelist, on the right, bows his head in sorrow. The punched decoration in the gold background represents the Trees of Life and Knowledge, emphasizing the biblical connection between Adam and Christ.

Kedu ụdị ngwaahịa nka anyị na-eweta?

The nka ochie ihe osise e kere site na nwoke Dutch onye na-ese ihe Jean de Beaumetz. The original has the following dimensions of Framed: 63,5 x 52,5 x 6,7 cm (25 x 20 11/16 x 2 5/8 in); Unframed: 56,6 x 45,7 cm (22 5/16 x 18 in). Oil on oak panel was used by the painter as the medium of the artpiece. What is more, this work of art belongs to the Ụlọ ihe ngosi nka nke Cleveland digital art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. We are glad to state that this masterpiece, which is in the ngalaba ọha a gụnyere ya na nkwanye ùgwù nke Velọ ihe ngosi nka nke Cleveland. The creditline of the artpiece is the following: Leonard C. Hanna, Jr. Fund. On top of that, alignment of the digital reproduction is in portrait format na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Jean de Beaumetz was a male painter of Dutch nationality, whose style can be attributed primarily to Medieval Art. The Dutch artist lived for 66 afọ - amuru n'ime 1330 ma nwụọ na 1396.

Họrọ ụdị ihe dị iche iche

Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche na nha. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

  • Mbipụta enyo acrylic: A glossy print on acrylic glass, which is sometimes labelled as a an art print on plexiglass, will change your favorite original artwork into wall décor and makes a good alternative to aluminium or canvas art prints. With an acrylic glass art print contrasts as well as small image details will be more exposed thanks to the subtle tonal gradation. Our acrylic glass protects your selected fine art print against light and external influences for many years.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a print with an impressive effect of depth. For your Direct Print On Aluminum Dibond, we print the selected artpiece onto the aluminium composite surface. The white and bright components of the original artpiece shine with a silk gloss but without the glow.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster is a UV printed canvas paper with a slightly roughened surface finish. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of around 2 - 6cm around the print motif in order to facilitate the framing with your custom frame.
  • Mbipụta kanvas: The printed canvas applied on a wood stretcher frame. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy to hang up your Canvas print without any wall-mounts. Therefore, canvas prints are suited for all kinds of walls.

Tebụl nchịkọta ihe nkiri

Ihe nkiri: Jean de Beaumetz
Aha nka ndị ọzọ: Biaumez Jean de, Jean de Beaumetz, Beaumetz, Beaumes Jean de, Beaumetz Jean de
okike nke onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Country: mba netherland
nhazi ọkwa: nna ukwu ochie
Ụdị nka: Omenala Medieval
Akwụsị: 66 afọ
Afọ ọmụmụ: 1330
Nwụrụ n'afọ: 1396
Ebe ọnwụ: Dijon, Bourgogne-Franche-Comte, France

Data nka ahaziri

Aha nka: "Calvary with a Carthusian Monk"
nhazi ọkwa: sere
Nhazi nka: nka ochie
Century: 14th narị afọ
Emepụtara na: 1395
Afọ nka: 620 afọ
Ihe osise izizi: mmanụ na oak panel
Nha ihe osise izizi: Framed: 63,5 x 52,5 x 6,7 cm (25 x 20 11/16 x 2 5/8 in); Unframed: 56,6 x 45,7 cm (22 5/16 x 18 in)
Ụlọ ihe ngosi nka / ebe: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Weebụsaịtị ihe ngosi nka: www.clevelandart.org
Ụdị nka nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe kredit nke ọrụ nka: Leonard C. Hanna, Jr. Fund

Nkọwa akụkọ ahaziri ahazi

Bipụta ngwaahịa: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV / dijitalụ
Mmalite nke ngwaahịa a: arụpụtara na Germany
Stockdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa a chọrọ: mgbidi gallery, nchịkọta nka (mmepụta)
Nhazi nke ihe nka: nhazi ihe osise
Oke akụkụ onyonyo: 1: 1.2 (ogologo: obosara)
Akụkụ onyonyo pụtara: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ dị: ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe akwụkwọ Dibony (ihe alumnium) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
ụba: oyiri nka na-enweghị isi

Nkwupụta iwu: We try everything to depict our art products as exact as possible and to exhibit them visually on the different product detail pages. Although, the pigments of the printed materials, as well as the print result can differ to a certain extent from the image on the device's monitor. Depending on the screen settings and the nature of the surface, not all colors will be printed as exactly as the digital version shown here. Considering that all our are printed and processed manually, there might also be minor differences in the size and exact position of the motif.

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